Analyzing the multiple occurrences of the lemma \u2018desert\u2019 in Leopardi\u2019s work, the article shows how, from an initial and general predisposition for desolate and inhospitable settings, filtered through heterogeneous reading (Alfieri, Cervantes), Leopardi from time to time attributes to those places new and different meanings: a privileged space for philosophical reflection, a metaphor of existence devoid of illusions, a representation of nothingness. The desert is then the ultimate goal of the poet\u2019s geography, both in the prose of the Operette (the \uabdesert of life\ubb of Tristan) and in the verses of the Ginestra, with its landscape on the slopes of Vesuvius, the figure of man\u2019s fragil- ity and the relentless powe...