The old library of the Certosa di Pavia still holds thirteen graduals, choir-books with lyrics and scores. Their rich decorations were made by various artist-monks during the fiftieth century. In 2009, the gradual numbered 814 underwent a conservative restoration intervention under the supervision of the Certosa Museum Director, Letizia Lodi, to be on display in Verona, and later it was also included in the exhibition of Arcimboldo works in Milan (2011). Non-invasive in situ analyses were performed on seven books of this collection, considering fourteen illuminated pages in total, painted by four authors: they showed different technical features, but the same typical materials. Pigments and binders were examined exploiting the synergy betwe...
This paper presents the results of a fully non-invasive photographic and spectroscopic study on a ma...
The materials and techniques of wall paintings decorating the Domus of Octavius Quartio, an outstand...
The characterization of materials used in the archaeological field needs an experimental approach in...
The characterisation of palettes used in medieval manuscript illumination is an important task from ...
An analytical approach applied to Vincenzo Pasqualoni's wall paintings in the apse of S. Nicola in C...
A group of ten manuscripts datable to the X century A.D. and coming from the S. Colombano abbey in B...
Some art objects being small and very precious prevents conservators and conservation scientists fro...
This paper discusses a cross-disciplinary, international collaboration aimed at researching a series...
In the frame of large research project, also related to the exhibition “Lorenzo Lotto” (Venezia, 148...
The characterisation of palettes used in manuscript illumination is a hard analytical task, due to v...
The present multi-analytical study concentrates on establishing the painting techniques and the iden...
A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus...
A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus...
In the frame of large research project, also related to the exhibition “Lorenzo Lotto” (Venezia, 148...
This paper presents the results of a fully non-invasive photographic and spectroscopic study on a ma...
The materials and techniques of wall paintings decorating the Domus of Octavius Quartio, an outstand...
The characterization of materials used in the archaeological field needs an experimental approach in...
The characterisation of palettes used in medieval manuscript illumination is an important task from ...
An analytical approach applied to Vincenzo Pasqualoni's wall paintings in the apse of S. Nicola in C...
A group of ten manuscripts datable to the X century A.D. and coming from the S. Colombano abbey in B...
Some art objects being small and very precious prevents conservators and conservation scientists fro...
This paper discusses a cross-disciplinary, international collaboration aimed at researching a series...
In the frame of large research project, also related to the exhibition “Lorenzo Lotto” (Venezia, 148...
The characterisation of palettes used in manuscript illumination is a hard analytical task, due to v...
The present multi-analytical study concentrates on establishing the painting techniques and the iden...
A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus...
A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus...
In the frame of large research project, also related to the exhibition “Lorenzo Lotto” (Venezia, 148...
This paper presents the results of a fully non-invasive photographic and spectroscopic study on a ma...
The materials and techniques of wall paintings decorating the Domus of Octavius Quartio, an outstand...
The characterization of materials used in the archaeological field needs an experimental approach in...