Queer Heroines : On the Construction of Gender in Vernon Lee’s Renaissance Essays

Scholars have often identified the connections between Vernon Lee\u2019s works and her complex sexuality. The protagonists of her supernatural tales have been the object of extensive study in that they eschew neat gender categorisation and repeatedly sublimate sexual drive into subjugation and murder. Lee\u2019s writings as an aesthetic critic, by comparison, have mostly been explored in connection with Water Pater\u2019s work. In this article I argue that in Euphorion and Renaissance Fancies and Studies Lee\u2019s allusions to Pater\u2019s thought shape not only her construction of gendered authorship, but also the textual representation of gender and sexuality. Characters like H\ue9lo\uefse and Nicolette endorse transgression and prove able to master stereotypical masculine functions, showing how gender roles are independent of sex. In addition, Lee\u2019s interest in Franciscanism and the Renaissance iconography of the Madonna provide a historical legitimisation of non-normativised forms of sexual desire, which should be viewed from a queer perspective