In this paper we present tests and results of an automatic color fading restoration process for digitized movies. The proposed color correction method is based on the ACE model, an unsupervised color equalization algorithm based on a perceptual approach and inspired by some mechanisms of the human visual system, This perceptual approach is local, robust and does not need any user region selection or any other user supervision. However the model has a small number of parameters that has to be set once before the filtering. The tests presented in this paper aim to study these parameters and find their effect on the final result
Since the beginning of this Century we are assisting to a crucial step in the domain of cinema: the ...
Nowadays cinematographic frame restoration is the mere use of commercial software performed manually...
In this work, we present the digitization and restoration of a 1980's Super 8 documentary, with the ...
The cinematographic archives represent an important part of our collective memory. We present in thi...
International audienceIn the professional movie field, image quality is mainly judged visually. In f...
In the professional movie field, image quality is mainly judged visually. In fact, experts and techn...
In this work we present a new algorithm for digital images unsupervised enhancement with simultaneou...
In this work we present a new algorithm for digital images unsupervised enhancement, called ACE for ...
This chapter presents an approach to unsupervised digital movie restoration. The approach is based o...
The archives of motion pictures represent an important part of precious cultural heritage. But unfor...
Restoring color of highly degraded movies can be a challenging task. In some cases the color left is...
Color equalization algorithms exhibit a variety of behaviors described in two differing types of mod...
This is the copy of journal's version originally published in Proc. SPIE 7866: http://spie.org/x10.x...
issues in developing a new algorithm for unsupervised color equalization Abstract. We present a comp...
In this work we present a comparison between two color equalization algorithms: Retinex, the famous ...
Since the beginning of this Century we are assisting to a crucial step in the domain of cinema: the ...
Nowadays cinematographic frame restoration is the mere use of commercial software performed manually...
In this work, we present the digitization and restoration of a 1980's Super 8 documentary, with the ...
The cinematographic archives represent an important part of our collective memory. We present in thi...
International audienceIn the professional movie field, image quality is mainly judged visually. In f...
In the professional movie field, image quality is mainly judged visually. In fact, experts and techn...
In this work we present a new algorithm for digital images unsupervised enhancement with simultaneou...
In this work we present a new algorithm for digital images unsupervised enhancement, called ACE for ...
This chapter presents an approach to unsupervised digital movie restoration. The approach is based o...
The archives of motion pictures represent an important part of precious cultural heritage. But unfor...
Restoring color of highly degraded movies can be a challenging task. In some cases the color left is...
Color equalization algorithms exhibit a variety of behaviors described in two differing types of mod...
This is the copy of journal's version originally published in Proc. SPIE 7866: http://spie.org/x10.x...
issues in developing a new algorithm for unsupervised color equalization Abstract. We present a comp...
In this work we present a comparison between two color equalization algorithms: Retinex, the famous ...
Since the beginning of this Century we are assisting to a crucial step in the domain of cinema: the ...
Nowadays cinematographic frame restoration is the mere use of commercial software performed manually...
In this work, we present the digitization and restoration of a 1980's Super 8 documentary, with the ...