This article analyses labour conditions among creative workers in the Milan fashion industry. Employing both qualitative and quantitative methods, the article shows how workers in the Milan fashion industry are generally underpaid and overworked. Despite such dire conditions, fashion work is generally considered gratifying and workers express high levels of satisfaction. The second part of the article attempts to unravel this paradox, departing from McRobbie\u2019s conception of passionate work. It suggests that the promotion of creativity as a desired form of life in the contemporary metropolis has shaped new forms of identity related to symbolic remuneration for work
Since the 1980s, fashion has become increasingly powerful in the material and immaterial economies o...
In this introduction to the themed section on ‘Labour and passion’, it is argued that work has bled ...
none2siContemporary work increasingly presents itself as an immeasurable endeavour. The social and s...
For decades, scholars of work have recorded structural changes rendering a ‘new economy.’...
In this article, we present our current research into the body and mind at work, with a particular f...
This article makes the case for fashion – as part of the creative industries and a major employer of...
This article compares the work of fashion models and “new media workers” (those who work in the rela...
PurposeThis study aims to explore passionate labour in the fashion blogosphere and addresses two res...
The paper looks at the fashion industry in Milan, where, as in other cultural industries, entreprene...
Purpose: This study aims to explore passionate labour in the fashion blogosphere and addresses two r...
This article makes a case for fashion, as part of the creative industries and as a major employer of...
Creative labour occupies a highly contradictory position in modern, global, ‘knowledge-based’ econom...
How can we understand contradictory identifications within work to which one is passionately attache...
The article illustrates the Italian process of work precarisation and the collective resistance of p...
This article addresses the class composition of artistic and cultural labor in the metropolis: pract...
Since the 1980s, fashion has become increasingly powerful in the material and immaterial economies o...
In this introduction to the themed section on ‘Labour and passion’, it is argued that work has bled ...
none2siContemporary work increasingly presents itself as an immeasurable endeavour. The social and s...
For decades, scholars of work have recorded structural changes rendering a ‘new economy.’...
In this article, we present our current research into the body and mind at work, with a particular f...
This article makes the case for fashion – as part of the creative industries and a major employer of...
This article compares the work of fashion models and “new media workers” (those who work in the rela...
PurposeThis study aims to explore passionate labour in the fashion blogosphere and addresses two res...
The paper looks at the fashion industry in Milan, where, as in other cultural industries, entreprene...
Purpose: This study aims to explore passionate labour in the fashion blogosphere and addresses two r...
This article makes a case for fashion, as part of the creative industries and as a major employer of...
Creative labour occupies a highly contradictory position in modern, global, ‘knowledge-based’ econom...
How can we understand contradictory identifications within work to which one is passionately attache...
The article illustrates the Italian process of work precarisation and the collective resistance of p...
This article addresses the class composition of artistic and cultural labor in the metropolis: pract...
Since the 1980s, fashion has become increasingly powerful in the material and immaterial economies o...
In this introduction to the themed section on ‘Labour and passion’, it is argued that work has bled ...
none2siContemporary work increasingly presents itself as an immeasurable endeavour. The social and s...