This book, arising from a major international conference held in Genoa in 2007, focuses primarily on Dickens's two major writings about Italy, namely the travel book 'Pictures from Italy' of 1845, and part II of his great novel 'Little Dorrit', published in 1855-57. It falls into six sections: the first concerns Dickens's enjoyment of leisure in Italy; the second his response to the visual attractions of Italy, both natural and artistic; the third his political stance about Italy in the period of the Risorgimento; the fourth, his preoccupation with death and decay in what he saw and experienced in Italy; the fifth his representation of Italianness in 'Little Dorrit' and elsewhere; and the sixth, his relation to modern and contemporary writ...
In today’s Dickens Studies, “Global Dickens” is all the critical rage. Yet the landmark work on glob...
The paper explores the different ways in which Italy and Italian art, culture, customs, and traditio...
Dickens's reception in Italy developed along two Lines, a highbrow one and a more popolar one. The l...
The essay deals with Charles Dickens's second journey to Italy, which has been seldom investigated. ...
This book is a companion volume to Dickens and Italy, edited by Michael Hollington and Francesca Ore...
In this Introductory essay to the Volume Dickens and Italy: 'Little Dorrit' and 'Pictures from Italy...
This essay made its early appearance in a volume entitled Dickens and Italy: Little Dorrit and Pictu...
Dickens's bicentenary in 2012 is celebrated by the Museo del Precinema in Padua with this book in wh...
Italy in perspective of Dickens and the 19th century Polish writers Abstract The pap...
This volume contains a selection of papers presented at the Dickens, Victorian Culture and Italy con...
The article considers how Giovanni (John) Ruffini’s most popular novel, Doctor Antonio (1855), and l...
For a very long time from the Romantic age to the end of World War Two, culturally speaking, Italy w...
THe paper focuses on Dickens's early translations and impact his novels had on the Italian prose of ...
International audienceReal or alleged Southern horrors provide inspiration for Charles Dickens’s acc...
"But lovers and hunters of the picturesque, let us not keep too studiously out of view the miserable...
In today’s Dickens Studies, “Global Dickens” is all the critical rage. Yet the landmark work on glob...
The paper explores the different ways in which Italy and Italian art, culture, customs, and traditio...
Dickens's reception in Italy developed along two Lines, a highbrow one and a more popolar one. The l...
The essay deals with Charles Dickens's second journey to Italy, which has been seldom investigated. ...
This book is a companion volume to Dickens and Italy, edited by Michael Hollington and Francesca Ore...
In this Introductory essay to the Volume Dickens and Italy: 'Little Dorrit' and 'Pictures from Italy...
This essay made its early appearance in a volume entitled Dickens and Italy: Little Dorrit and Pictu...
Dickens's bicentenary in 2012 is celebrated by the Museo del Precinema in Padua with this book in wh...
Italy in perspective of Dickens and the 19th century Polish writers Abstract The pap...
This volume contains a selection of papers presented at the Dickens, Victorian Culture and Italy con...
The article considers how Giovanni (John) Ruffini’s most popular novel, Doctor Antonio (1855), and l...
For a very long time from the Romantic age to the end of World War Two, culturally speaking, Italy w...
THe paper focuses on Dickens's early translations and impact his novels had on the Italian prose of ...
International audienceReal or alleged Southern horrors provide inspiration for Charles Dickens’s acc...
"But lovers and hunters of the picturesque, let us not keep too studiously out of view the miserable...
In today’s Dickens Studies, “Global Dickens” is all the critical rage. Yet the landmark work on glob...
The paper explores the different ways in which Italy and Italian art, culture, customs, and traditio...
Dickens's reception in Italy developed along two Lines, a highbrow one and a more popolar one. The l...