Add to ORKGAn analysis of writings on Italian opera in the Allgemeine musikalische Zeitung in the early 19th c. provides insight into the image Italian opera had in general in Germany. It is important to note that the paper had several correspondents in Italy, and thus was able to juxtapose on-site experiences with Italian opera reception in Germany
Each year the Italian government chooses a topic as the focus of the ‘week of Italian in the world’,...
The revival of interest in music evident in recent historiography has led to an investigation of the...
Profilo della fortuna di Wagner in Italia dal 1871, anno della prima rappresentazione di una sua ope...
Discusses the notions of national identity, national music and popular music as they emerged in Ital...
Discusses the notions of national identity, national music and popular music as they emerged in Ital...
This thesis examines the circulation and reception of Italian operas in German translation in the la...
This paper focuses on the reception of Giacomo Meyerbeer's Le prophète in Italy during the Nineteent...
In this article German contributions to periodicals of the International Musicological Society focus...
Freedom fighters and national heroes frequently appeared on the operatic stage of the 19th century. ...
This article examines the impact of the early dissemination of Russian Opera in the cultural life an...
The birth of modern Italian musicology in the second half of the 19th century is closely linked to G...
This article explores the relationship between politics, society and culture in Napoleonic Milan (17...
Il saggio fa parte di un volume dedicato alla sinfonia in Europa nel periodo del classicismo viennes...
Discusses the writings on Italian opera by Heinrich Schenker. Includes an Italian translation of the...
The article focuses on the Italian Opera in Paris and Vienna (1789-1814), tracing its historical pro...
Each year the Italian government chooses a topic as the focus of the ‘week of Italian in the world’,...
The revival of interest in music evident in recent historiography has led to an investigation of the...
Profilo della fortuna di Wagner in Italia dal 1871, anno della prima rappresentazione di una sua ope...
Discusses the notions of national identity, national music and popular music as they emerged in Ital...
Discusses the notions of national identity, national music and popular music as they emerged in Ital...
This thesis examines the circulation and reception of Italian operas in German translation in the la...
This paper focuses on the reception of Giacomo Meyerbeer's Le prophète in Italy during the Nineteent...
In this article German contributions to periodicals of the International Musicological Society focus...
Freedom fighters and national heroes frequently appeared on the operatic stage of the 19th century. ...
This article examines the impact of the early dissemination of Russian Opera in the cultural life an...
The birth of modern Italian musicology in the second half of the 19th century is closely linked to G...
This article explores the relationship between politics, society and culture in Napoleonic Milan (17...
Il saggio fa parte di un volume dedicato alla sinfonia in Europa nel periodo del classicismo viennes...
Discusses the writings on Italian opera by Heinrich Schenker. Includes an Italian translation of the...
The article focuses on the Italian Opera in Paris and Vienna (1789-1814), tracing its historical pro...
Each year the Italian government chooses a topic as the focus of the ‘week of Italian in the world’,...
The revival of interest in music evident in recent historiography has led to an investigation of the...
Profilo della fortuna di Wagner in Italia dal 1871, anno della prima rappresentazione di una sua ope...