This paper investigates the depictions of the forest in the Rāmāyaṇa in connection with the representations of the moods of the characters, and as a way of arousing emotional states (rasas) in the audience. For this purpose, Books II-IV of the poem have been examined. Here, the forest never appears to be described neutrally. Some distinct forms of presentation can be recognised: through the depiction of the natural environment, the poet prepares the audience for a disquieting episode or, on the other hand, for a peaceful situation; nature can contrast with or reflect the feelings of the characters; at times, a sort of direct emotional relationship is shown between the human protagonists and wild nature
The article proposes an interpretation of the verse portions included in the Vessantaraj\u101taka. T...
India's epic poem, the Ramayana, is a dramatic, ever-evolving tale of a prince and his bride, their ...
In this study the author has tried to make clear the relation which forests had with the life and th...
The best-known garden in all of Sanskrit literature is most decidedly Laṅkā’s aśokavanikā, a term us...
THESIS 6757The point of reference in earlier comparative studies of epic featuring either the mediev...
“Slender lady, I came out with you to gather fruit. I got a pain in my head and fell asleep in your ...
The forest in Western literature and culture has often been perceived as existing in Manichean oppos...
This paper examines nature as a device in Tanure Ojaide’s The Tale of the Harmattan and Flora Nwapa’...
Barbara Grabowska Uniwersytet WarszawskiWydział Orientalistyczny Abstract Ro...
When man, tired by his ceaseless efforts to exert his mastery over his environment becomesdisillusio...
Kalidas’s plays are replete with descriptive details of flora and fauna and vivid...
Since ancient times, forests have been regarded as a mysterious or other world which has magical pow...
This paper aims to draw attention to what seems to be a specific poetic overlapping created by Kali...
In the human imagination, the forest has functioned as the stage of myth and folktale, and as a plac...
Abstract Ancient man was sad to see the beauty of nature. Such scenes prompted to know the persona...
The article proposes an interpretation of the verse portions included in the Vessantaraj\u101taka. T...
India's epic poem, the Ramayana, is a dramatic, ever-evolving tale of a prince and his bride, their ...
In this study the author has tried to make clear the relation which forests had with the life and th...
The best-known garden in all of Sanskrit literature is most decidedly Laṅkā’s aśokavanikā, a term us...
THESIS 6757The point of reference in earlier comparative studies of epic featuring either the mediev...
“Slender lady, I came out with you to gather fruit. I got a pain in my head and fell asleep in your ...
The forest in Western literature and culture has often been perceived as existing in Manichean oppos...
This paper examines nature as a device in Tanure Ojaide’s The Tale of the Harmattan and Flora Nwapa’...
Barbara Grabowska Uniwersytet WarszawskiWydział Orientalistyczny Abstract Ro...
When man, tired by his ceaseless efforts to exert his mastery over his environment becomesdisillusio...
Kalidas’s plays are replete with descriptive details of flora and fauna and vivid...
Since ancient times, forests have been regarded as a mysterious or other world which has magical pow...
This paper aims to draw attention to what seems to be a specific poetic overlapping created by Kali...
In the human imagination, the forest has functioned as the stage of myth and folktale, and as a plac...
Abstract Ancient man was sad to see the beauty of nature. Such scenes prompted to know the persona...
The article proposes an interpretation of the verse portions included in the Vessantaraj\u101taka. T...
India's epic poem, the Ramayana, is a dramatic, ever-evolving tale of a prince and his bride, their ...
In this study the author has tried to make clear the relation which forests had with the life and th...