Add to ORKGPaper presented at the International Association for the Study of Popular Music (IASPM) Australasian annual conference, Waikato Institute of Technology, 3-5 December 2018. This paper explored the role pastiche plays in creating humor in contemporary musical theater using a range of examples from shows such as Hamilton, The Book of Mormon, and School of Rock
Classical music is a learned art form with exemplary aesthetic value. It is often synonymous with se...
The musicological study of musical theatre is a relatively unexplored area of enquiry. One of the ch...
Song form, structure, function and ideology are culturally and genre specific. Boiled down to its mo...
Paper presented at the International Association for the Study of Popular Music (IASPM) Australasian...
This paper was presented at the international Crosstown Traffic Conference, University of Huddersfie...
This thesis uses established theoretical work on musicality in theatre in order to develop an unders...
Despite the twenty-first century musical incessantly refashioning a diverse series of popular works,...
Despite the twenty-first century musical incessantly refashioning a diverse series of popular works,...
In this paper, I will be analyzing the role musical theatre productions play in reflecting cultural ...
Song form, structure, function and ideology are culturally and genre specific. Boiled down to its mo...
The twenty-first century musical is dominated by high-profile adaptations and the recycling of popul...
Abstract: As the complicated relationship between music and theatre has evolved and changed in the ...
This paper sets out to examine the transformation of comedy in the history of European theatre. Musi...
Producing musical theatre has always been a venture of great financial risk. In the twenty-first cen...
Song form, structure, function and ideology are culturally and genre specific. Boiled down to its mo...
Classical music is a learned art form with exemplary aesthetic value. It is often synonymous with se...
The musicological study of musical theatre is a relatively unexplored area of enquiry. One of the ch...
Song form, structure, function and ideology are culturally and genre specific. Boiled down to its mo...
Paper presented at the International Association for the Study of Popular Music (IASPM) Australasian...
This paper was presented at the international Crosstown Traffic Conference, University of Huddersfie...
This thesis uses established theoretical work on musicality in theatre in order to develop an unders...
Despite the twenty-first century musical incessantly refashioning a diverse series of popular works,...
Despite the twenty-first century musical incessantly refashioning a diverse series of popular works,...
In this paper, I will be analyzing the role musical theatre productions play in reflecting cultural ...
Song form, structure, function and ideology are culturally and genre specific. Boiled down to its mo...
The twenty-first century musical is dominated by high-profile adaptations and the recycling of popul...
Abstract: As the complicated relationship between music and theatre has evolved and changed in the ...
This paper sets out to examine the transformation of comedy in the history of European theatre. Musi...
Producing musical theatre has always been a venture of great financial risk. In the twenty-first cen...
Song form, structure, function and ideology are culturally and genre specific. Boiled down to its mo...
Classical music is a learned art form with exemplary aesthetic value. It is often synonymous with se...
The musicological study of musical theatre is a relatively unexplored area of enquiry. One of the ch...
Song form, structure, function and ideology are culturally and genre specific. Boiled down to its mo...