For anti-rock activists in the 1980s, lyrical descriptions and visual depictions that glorified and promoted violence, sex, drug and alcohol abuse, Satanism, and related forms of occult activity were symptomatic not only of the declining moral standards of many forms of popular entertainment but also of the overall moral decay of America. Many of the claims advanced by anti-rock activists were informed by a moral panic that swept across the nation beginning in the 1980s. Paralleling the growing influence of fundamentalist conservatism on American culture and politics during this time, the so-called “Satanic Panic” (or “Satanism Scare”) was fueled by an increasing number of news reports that suggested that an underground network of Satanists...