The aim of the text is to present a short history of professional photography of women in former Polish Galicia, from the end of 19th century to the fi rst half of 20th century. The text consists of three parts and each one addresses other aspect of women’s works as photographers. The fi rst one is an introduction to the photography and the women’s issue. The second one examines photography as a new technology and a tool of emancipation. The third part combines biographies of selected women photographers who lived and worked in Galicia, and who despite of class and gender limitations, became owners or managers of photo studios. It is interesting to examine very diverse social and educational background of women photographers, who ben...
WOMEN JOURNALISTS OF THE INTERWAR POLISH-JEWISH PRESS: INTRODUCTORY REMARKS The article is an attemp...
The current state of research on the circle of Polish artists in France in the 20th century is quite...
Author’s ambition is arousing interest of forms of reception of the Middle Ages, which there are in ...
Professional Women Photographers in Former Polish GaliciaThe aim of the text is to present a short h...
Home Photography of Women – between Document and Private Artistic ExperimentThe text focuses on phot...
Since the first decade of the 20th century, Polish female artists, active in France, have also worke...
The text examines forms of participation of women from Galicia (Kraków and Lwów) in Polish film cult...
Polish Women Translators Outside the Canon. On a Forgotten Translation of Dostoyevsky’s The Devils D...
In XIX century, there was some significant political, economic and social changes, which influenced ...
Writings of Zapolska appeared precious source of knowledge about the nineteenth century society. We ...
Analiza sytuacji powojennej polskiej fotografii nieustannie bazowała na etosie odzyskiwania kiełkują...
LOST—FOUND: ON THE VICISSITUDES OF HENRYK GOTLIB’S POLISH WAR TRIPTYCH The article discusses the int...
This article explores the issue of postmemory and secondary witnessing as dealt with in Tadeusz Róż...
During the years 1900–1914 in the capital of France one could find a large number of Polish female a...
The author analyses the question of professional strategies of about 160 Polish female artists who c...
WOMEN JOURNALISTS OF THE INTERWAR POLISH-JEWISH PRESS: INTRODUCTORY REMARKS The article is an attemp...
The current state of research on the circle of Polish artists in France in the 20th century is quite...
Author’s ambition is arousing interest of forms of reception of the Middle Ages, which there are in ...
Professional Women Photographers in Former Polish GaliciaThe aim of the text is to present a short h...
Home Photography of Women – between Document and Private Artistic ExperimentThe text focuses on phot...
Since the first decade of the 20th century, Polish female artists, active in France, have also worke...
The text examines forms of participation of women from Galicia (Kraków and Lwów) in Polish film cult...
Polish Women Translators Outside the Canon. On a Forgotten Translation of Dostoyevsky’s The Devils D...
In XIX century, there was some significant political, economic and social changes, which influenced ...
Writings of Zapolska appeared precious source of knowledge about the nineteenth century society. We ...
Analiza sytuacji powojennej polskiej fotografii nieustannie bazowała na etosie odzyskiwania kiełkują...
LOST—FOUND: ON THE VICISSITUDES OF HENRYK GOTLIB’S POLISH WAR TRIPTYCH The article discusses the int...
This article explores the issue of postmemory and secondary witnessing as dealt with in Tadeusz Róż...
During the years 1900–1914 in the capital of France one could find a large number of Polish female a...
The author analyses the question of professional strategies of about 160 Polish female artists who c...
WOMEN JOURNALISTS OF THE INTERWAR POLISH-JEWISH PRESS: INTRODUCTORY REMARKS The article is an attemp...
The current state of research on the circle of Polish artists in France in the 20th century is quite...
Author’s ambition is arousing interest of forms of reception of the Middle Ages, which there are in ...