International audienceThe pitch perceived for short vocal vibrate tones was measured using a method of adjustment. The stimuli were synthetic vocal tones, produced by a formant synthesizer. The main parameter under study was the tone duration, as a function of the fractional number of vibrate cycles. This parameter was examined in relation to (1) the vibrato extent (0, 50, 100, and 200 cents); (2) the vibrato rate (4, 6, and 8 Hz); (3) the tone nominal frequency (220, 440, 880, and 1500 Hz). Durations ranging from 1/2 cycle to 2 cycles were studied. Our results showed that for short ones, the pitch perceived does correspond to a weighted time average of the F0 pattern. A separate perception took place for the high and low parts of the vibr...
Vibrato, which is an oscillation in the pitch, loudness or timbre of a musical tone, is a very impor...
A method is proposed for estimating the pitch strength of sounds by measuring the proportion of corr...
This problem constitutes a part of the experimental work in the psychology of music whose ultimate a...
Previous studies on the pitch of long-duration vibrato tones, where the modulator is a symmetric ...
Vibrato, the periodic fluctuations of pitch, amplitude and/or timbre, is an important expressive com...
Paralleling the extensive study of the artistic use of the vocal and instrumental vibrato is this st...
Background Previous studies on the pitch perceived for long-duration vibrato tones, where the modul...
Previous studies on vibrato pitch attempted to determine the "principal pitch" of vibrato tones and ...
Abstract—In this paper, we analyze some methodological and practical grounds affecting a correct est...
The linear source-filter theory states that the source (vocal signal) is independent of the filter (...
It is generally assumed that modulation of intensity within the vibrato cycle is at least partially ...
The vibrato rate for ten singers, all singing Schubert's Ave Maria, was measured on sonograms. ...
This study investigates the relationship between operatic singing and opera house acoustics in terms...
This paper investigates the role of pitch in the extraction of timbre information by measuring liste...
This work presents a statistical study of vibrato parameters in soprano voices. More than one hundre...
Vibrato, which is an oscillation in the pitch, loudness or timbre of a musical tone, is a very impor...
A method is proposed for estimating the pitch strength of sounds by measuring the proportion of corr...
This problem constitutes a part of the experimental work in the psychology of music whose ultimate a...
Previous studies on the pitch of long-duration vibrato tones, where the modulator is a symmetric ...
Vibrato, the periodic fluctuations of pitch, amplitude and/or timbre, is an important expressive com...
Paralleling the extensive study of the artistic use of the vocal and instrumental vibrato is this st...
Background Previous studies on the pitch perceived for long-duration vibrato tones, where the modul...
Previous studies on vibrato pitch attempted to determine the "principal pitch" of vibrato tones and ...
Abstract—In this paper, we analyze some methodological and practical grounds affecting a correct est...
The linear source-filter theory states that the source (vocal signal) is independent of the filter (...
It is generally assumed that modulation of intensity within the vibrato cycle is at least partially ...
The vibrato rate for ten singers, all singing Schubert's Ave Maria, was measured on sonograms. ...
This study investigates the relationship between operatic singing and opera house acoustics in terms...
This paper investigates the role of pitch in the extraction of timbre information by measuring liste...
This work presents a statistical study of vibrato parameters in soprano voices. More than one hundre...
Vibrato, which is an oscillation in the pitch, loudness or timbre of a musical tone, is a very impor...
A method is proposed for estimating the pitch strength of sounds by measuring the proportion of corr...
This problem constitutes a part of the experimental work in the psychology of music whose ultimate a...