International audienceIn Mathematical Music Theory, geometric models such as graphs and simplicial complexes are music-analytical tools which are commonly used to visualize and represent musical operations. The most famous example is given by the Tonnetz, a graph whose basic idea was introduced by Euler in 1739, and developed by several musicologists of the XIX th century, such as Hugo Riemann. The aim of this paper is to introduce a generalized Chicken-wire Torus (dual of the Tonnetz) for seventh chords and to show some possible compositional applications. It is a new musical graph representing musical operations between seventh chords, described from an algebraic point of view. As in the traditional Tonnetz, geometric properties correspon...
The aim of this paper is twofold: on one side we review the classical concept of musical mode from t...
Extended tonality is a central system that characterizes the music from the 19th up to the 21st cent...
International audienceWe represent chord collections by simplicial complexes. A temporal organizatio...
International audienceIn Mathematical Music Theory, geometric models such as graphs and simplicial c...
International audienceWe propose a spatial approach to musical analysis based on the notion of a cho...
International audienceIn this article, we present a set of musical transformations based on the repr...
The Tonnetz is a useful tool for representing musical excerpts or full pieces containing mainly majo...
This thesis presents a generalizations of the neo-Riemannian PLR-group, that acts on the set of 24 m...
In this work, we suggest a collection of novel models for the representation of music. These models ...
Abstract. We represent chord collections by simplicial complexes. A temporal organization of the cho...
A la frontière entre musique et mathématiques, cette étude présente un espace musical géométrique or...
cote interne IRCAM: Mazzola07aNone / NoneNational audienceThis paper shows an interplay of music and...
cote interne IRCAM: Bigo14bInternational audienceIn this article, we present a set of musical transf...
In this paper, we investigate several musical morphologies that can be represented as paths in abstr...
At the frontier between music and mathematics, this study presents an original geometrical musical s...
The aim of this paper is twofold: on one side we review the classical concept of musical mode from t...
Extended tonality is a central system that characterizes the music from the 19th up to the 21st cent...
International audienceWe represent chord collections by simplicial complexes. A temporal organizatio...
International audienceIn Mathematical Music Theory, geometric models such as graphs and simplicial c...
International audienceWe propose a spatial approach to musical analysis based on the notion of a cho...
International audienceIn this article, we present a set of musical transformations based on the repr...
The Tonnetz is a useful tool for representing musical excerpts or full pieces containing mainly majo...
This thesis presents a generalizations of the neo-Riemannian PLR-group, that acts on the set of 24 m...
In this work, we suggest a collection of novel models for the representation of music. These models ...
Abstract. We represent chord collections by simplicial complexes. A temporal organization of the cho...
A la frontière entre musique et mathématiques, cette étude présente un espace musical géométrique or...
cote interne IRCAM: Mazzola07aNone / NoneNational audienceThis paper shows an interplay of music and...
cote interne IRCAM: Bigo14bInternational audienceIn this article, we present a set of musical transf...
In this paper, we investigate several musical morphologies that can be represented as paths in abstr...
At the frontier between music and mathematics, this study presents an original geometrical musical s...
The aim of this paper is twofold: on one side we review the classical concept of musical mode from t...
Extended tonality is a central system that characterizes the music from the 19th up to the 21st cent...
International audienceWe represent chord collections by simplicial complexes. A temporal organizatio...