This thesis explores different aspects of extensibility in computer music software. Extensibility refers to how core developers, third-party developers, and users can extend software. It is a primary factor in determining a software’s range of use cases and capacity to grow over time. This has a direct impact on the robustness of both the software and the user’s work. This thesis discusses four main areas of research: extensibility in programming languages, platform extensibility, run-time modular software development, and music systems as libraries. It also explores these areas through the development of four open-source software projects: Csound, Blue, Pink, and Score. Csound and Blue are existing programs that have been modified...
The purpose of this thesis is to examine the historical use of music Computer Assisted lnstruction (...
Exploring Data Flow in Computer-Created Music All computing is manipulation of data. Functionality i...
As with all computer-based technologies, music production is advancing at a rate comparable to ‘Moor...
This thesis explores different aspects of extensibility in computer music software. Extensibility r...
In its almost 50 years of existence the field of computer music has brought us dozens of software sy...
This article traces the history and evolution of Music Programming, from the early off-line synthesi...
The past half-decade has seen progress in methodology and reusable components available to designers...
This paper contributes towards knowledge and understanding of the creative use of software and hardw...
This thesis concerned the design and implementation of an extensible computer language for microcomp...
In the changing context of computer music composition where the computer becomes a commodity rather ...
This paper contributes towards knowledge and understanding of the creative use of software and hardw...
This Thesis describes the design of the proof-of-concept software application, AudioChalk. AudioChal...
Computer music is that in which computers mediate some or all part(s) of the creative process. Compu...
In its almost 50 years of existence the field of computer music has brought us dozens of software sy...
While good practices are emerging with respect to publication of data alongside research outputs, we...
The purpose of this thesis is to examine the historical use of music Computer Assisted lnstruction (...
Exploring Data Flow in Computer-Created Music All computing is manipulation of data. Functionality i...
As with all computer-based technologies, music production is advancing at a rate comparable to ‘Moor...
This thesis explores different aspects of extensibility in computer music software. Extensibility r...
In its almost 50 years of existence the field of computer music has brought us dozens of software sy...
This article traces the history and evolution of Music Programming, from the early off-line synthesi...
The past half-decade has seen progress in methodology and reusable components available to designers...
This paper contributes towards knowledge and understanding of the creative use of software and hardw...
This thesis concerned the design and implementation of an extensible computer language for microcomp...
In the changing context of computer music composition where the computer becomes a commodity rather ...
This paper contributes towards knowledge and understanding of the creative use of software and hardw...
This Thesis describes the design of the proof-of-concept software application, AudioChalk. AudioChal...
Computer music is that in which computers mediate some or all part(s) of the creative process. Compu...
In its almost 50 years of existence the field of computer music has brought us dozens of software sy...
While good practices are emerging with respect to publication of data alongside research outputs, we...
The purpose of this thesis is to examine the historical use of music Computer Assisted lnstruction (...
Exploring Data Flow in Computer-Created Music All computing is manipulation of data. Functionality i...
As with all computer-based technologies, music production is advancing at a rate comparable to ‘Moor...