A method for the subtraction of a string's oscillations from monophonic, plucked- or hit-string tones is presented. The remainder of the subtraction is the response of the instrument's body to the excitation, and potentially other sources, such as faint vibrations of other strings, background noises or recording artifacts. In some respects, this method is similar to a stochastic-deterministic decomposition based on Sinusoidal Modeling Synthesis [MQ86, IS87]. However, our method targets string partials expressly, according to a physical model of the string's vibrations described in this thesis. Also, the method sits on a Phase Vocoder scheme. This approach has the essential advantage that the subtraction of the partials can take pla...
A new analysis-synthesis algorithm has been developed for high quality diphone speech synthesis, bas...
Abstract—In this paper, we analyze some methodological and practical grounds affecting a correct est...
We consider two approaches for sparse decomposition of polyphonic music: a timedomain approach based...
A method for the subtraction of a string's oscillations from monophonic, plucked- or hit-string ton...
This dissertation presents two extensions to the phase vocoder method of sound analysis and synthesi...
Additive analysis-synthesis using the phase vocoder is a powerful tool for the exploration of musica...
When dealing with musical sounds, the short-time Fourier transform prevails and sinusoids play a key...
For a broad range of sound transformations, quality is measured according to the common expectation ...
Pitch-preserving time scale modification and time-preserving pitch modification of recorded sounds a...
Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods...
Frequency content of a periodic signal is easily performed using FFT. While magnitude is well predic...
Vocoders are models capable of transforming a low-dimensional spectral representation of an audio si...
This thesis proposes techniques for object-based audio and music. The work can be divided into two p...
We consider two approaches for sparse decomposition of polyphonic music: a time-domain approach base...
International audienceWhen dealing with musical sounds, the short-time Fourier transform prevails an...
A new analysis-synthesis algorithm has been developed for high quality diphone speech synthesis, bas...
Abstract—In this paper, we analyze some methodological and practical grounds affecting a correct est...
We consider two approaches for sparse decomposition of polyphonic music: a timedomain approach based...
A method for the subtraction of a string's oscillations from monophonic, plucked- or hit-string ton...
This dissertation presents two extensions to the phase vocoder method of sound analysis and synthesi...
Additive analysis-synthesis using the phase vocoder is a powerful tool for the exploration of musica...
When dealing with musical sounds, the short-time Fourier transform prevails and sinusoids play a key...
For a broad range of sound transformations, quality is measured according to the common expectation ...
Pitch-preserving time scale modification and time-preserving pitch modification of recorded sounds a...
Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods...
Frequency content of a periodic signal is easily performed using FFT. While magnitude is well predic...
Vocoders are models capable of transforming a low-dimensional spectral representation of an audio si...
This thesis proposes techniques for object-based audio and music. The work can be divided into two p...
We consider two approaches for sparse decomposition of polyphonic music: a time-domain approach base...
International audienceWhen dealing with musical sounds, the short-time Fourier transform prevails an...
A new analysis-synthesis algorithm has been developed for high quality diphone speech synthesis, bas...
Abstract—In this paper, we analyze some methodological and practical grounds affecting a correct est...
We consider two approaches for sparse decomposition of polyphonic music: a timedomain approach based...