Add to ORKGThis chapter explores the presentation of Eastern Europe as a site of monstrosity in two recent films, Phillipe Grandrieux's La Vie Nouvelle and Ulrich Seidl's Import-Export. It argues that despite superficial resemblances to cliché presentations of eastern europe as primitive other to the civilised West, both films use Eastern Europe as a site of monstrosity in order to pose ethical and aesthetic problematics that destabilise the hegemony of the West
This volume explores how contemporary European cinema engages with the increasing precarization of l...
In the period from 2004. to 2007. three films belonging to two different genres were complete in the...
Book synopsis: Bringing together a range of theoretical and critical approaches, this edited collect...
UNE NOUVELLE EUROPE: THE DOUBLE QUEST OF NEW CENTRAL AND EAST-EUROPEAN CINEMA The Berlin Wall c...
Austrian director Ulrich Seidl’s documentary and fiction films have received international recogniti...
Contrary to the assumption that Western and Eastern European economies and cinemas were very differe...
In 1991 the infamous film and theater director Christoph Schlingensief made one of the first feature...
This article examines a number of recent European films that tackle the issue of migration from form...
Austrian director Ulrich Seidl’s documentary and fiction films have received international recogniti...
Cinema tries to present major political change in a number of ways. The events that shape the kind ...
Bringing together a range of theoretical and critical approaches, this edited collection is the firs...
In the period from 2004. to 2007. three films belonging to two different genres were complete in the...
Bringing together a range of theoretical and critical approaches, this edited collection is the firs...
The end of communism and the fall of the Berlin wall have drawn attention to the ancient countries o...
L'effondrement du communisme et la chute du mur de Berlin ont remis au centre des consciences europé...
This volume explores how contemporary European cinema engages with the increasing precarization of l...
In the period from 2004. to 2007. three films belonging to two different genres were complete in the...
Book synopsis: Bringing together a range of theoretical and critical approaches, this edited collect...
UNE NOUVELLE EUROPE: THE DOUBLE QUEST OF NEW CENTRAL AND EAST-EUROPEAN CINEMA The Berlin Wall c...
Austrian director Ulrich Seidl’s documentary and fiction films have received international recogniti...
Contrary to the assumption that Western and Eastern European economies and cinemas were very differe...
In 1991 the infamous film and theater director Christoph Schlingensief made one of the first feature...
This article examines a number of recent European films that tackle the issue of migration from form...
Austrian director Ulrich Seidl’s documentary and fiction films have received international recogniti...
Cinema tries to present major political change in a number of ways. The events that shape the kind ...
Bringing together a range of theoretical and critical approaches, this edited collection is the firs...
In the period from 2004. to 2007. three films belonging to two different genres were complete in the...
Bringing together a range of theoretical and critical approaches, this edited collection is the firs...
The end of communism and the fall of the Berlin wall have drawn attention to the ancient countries o...
L'effondrement du communisme et la chute du mur de Berlin ont remis au centre des consciences europé...
This volume explores how contemporary European cinema engages with the increasing precarization of l...
In the period from 2004. to 2007. three films belonging to two different genres were complete in the...
Book synopsis: Bringing together a range of theoretical and critical approaches, this edited collect...