From stage to archives, performing arts materials never stop to engage with the audience. Even when they are archived, performing arts documents and objects remain a source of research and inspiration for theatre professionals and become a sort of aide-mémoire for the patrons who were present at the performances. When displayed, documents and objects bring back the physical memory of being part of a performance. This article has four goals: to provide insight on how to set up a small museum, as well as a display area within an archive; to consider how to adapt and fund existing spaces, specifically a warehouse and a commercial store space, for exhibition purposes; to offer ideas and suggestions based on practical experience and ad...
The Mikron Theatre Company have been bringing professional theatre to the UK by canal, river and roa...
Live performance lacks the durability of art practices such as photography, film and painting, and ...
Much has been written over the years on the collective memory of Shakespeare and how it continues to...
From stage to archives, performing arts materials never stop to engage with the audience. Even when...
In 2012 the University of Greenwich acquired the reminiscence theatre archive of Pam Schweitzer, fou...
This is the final version. Available on open access from Taylor & Francis via the DOI in this record...
The positive valuation of theatre as live performance, and therefore also its transience, is frequen...
The purpose of this article is to study how a reminiscence theatre production develops dramaturgical...
Despite eye-opening discoveries, exhibitions, and performances, many valuable artefacts and document...
The purpose of this article is to study how a reminiscence theatre production develops dramaturgical...
This paper investigates representations of performance and the role of the archive. Notions of recor...
Live performance lacks the durability of art practices such as photography, film and painting, and s...
I recently read an excerpt from a 2004 interview with Peter Hall where he claims that he was happy f...
By reviewing the notion of archive (Derrida, 1995) that underlies Theatre History research, performa...
The paper reflects why past exhibitions should be documented virtually. It states that exhibitions a...
The Mikron Theatre Company have been bringing professional theatre to the UK by canal, river and roa...
Live performance lacks the durability of art practices such as photography, film and painting, and ...
Much has been written over the years on the collective memory of Shakespeare and how it continues to...
From stage to archives, performing arts materials never stop to engage with the audience. Even when...
In 2012 the University of Greenwich acquired the reminiscence theatre archive of Pam Schweitzer, fou...
This is the final version. Available on open access from Taylor & Francis via the DOI in this record...
The positive valuation of theatre as live performance, and therefore also its transience, is frequen...
The purpose of this article is to study how a reminiscence theatre production develops dramaturgical...
Despite eye-opening discoveries, exhibitions, and performances, many valuable artefacts and document...
The purpose of this article is to study how a reminiscence theatre production develops dramaturgical...
This paper investigates representations of performance and the role of the archive. Notions of recor...
Live performance lacks the durability of art practices such as photography, film and painting, and s...
I recently read an excerpt from a 2004 interview with Peter Hall where he claims that he was happy f...
By reviewing the notion of archive (Derrida, 1995) that underlies Theatre History research, performa...
The paper reflects why past exhibitions should be documented virtually. It states that exhibitions a...
The Mikron Theatre Company have been bringing professional theatre to the UK by canal, river and roa...
Live performance lacks the durability of art practices such as photography, film and painting, and ...
Much has been written over the years on the collective memory of Shakespeare and how it continues to...