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Amsterdam UniversityUniversity
Diffusé avec l’accord des Éditions Amsterdam University Press, détentrices des droits d’auteur sur ce texte
As language (both writing/speech) rapidly changes due to on-going developments in Speech Synthesis/S...
Diffusé avec l'accord de Peter Lang, détenteur des droits d'auteur sur ce texte. https://www.peterla...
sers have now reached a satisfactory quality for most of the applications they can be used in, this ...
Diffusé avec l’accord des Éditions Amsterdam University Press, détentrices des droits d’auteur sur c...
L'article est paru la première fois dans Iris 4, no 1 (1986), p. 107-119, et est mis en ligne avec l...
Voice is a powerful tool of agency – for humans and non-humansalike. In this article, we go through ...
This paper unpacks the relationships between the human voice and sound technologies by re-reading an...
This paper investigates the changing relation of the human voice to theatrical space. Innovations in...
At the March 2008 conference of the Association for Recorded Sound Collections held at Stanford Univ...
The use of microphones in theatre today is so common that it is hard to believe how recent this prac...
Voice is a powerful tool of agency – for humans and non-humans alike. In this article, we go through...
This article explores the rhetorical context for early spoken sound recordings, placing them in the ...
As language (both writing/speech) rapidly changes due to on-going developments in speech recognition...
Introduction of a themed issue entitled "'Ventriloquism' as a practice and metaphor".Non peer review...
Opening a discussion about digital voices in contemporary spaces and popular music in two parts: 1) ...
As language (both writing/speech) rapidly changes due to on-going developments in Speech Synthesis/S...
Diffusé avec l'accord de Peter Lang, détenteur des droits d'auteur sur ce texte. https://www.peterla...
sers have now reached a satisfactory quality for most of the applications they can be used in, this ...
Diffusé avec l’accord des Éditions Amsterdam University Press, détentrices des droits d’auteur sur c...
L'article est paru la première fois dans Iris 4, no 1 (1986), p. 107-119, et est mis en ligne avec l...
Voice is a powerful tool of agency – for humans and non-humansalike. In this article, we go through ...
This paper unpacks the relationships between the human voice and sound technologies by re-reading an...
This paper investigates the changing relation of the human voice to theatrical space. Innovations in...
At the March 2008 conference of the Association for Recorded Sound Collections held at Stanford Univ...
The use of microphones in theatre today is so common that it is hard to believe how recent this prac...
Voice is a powerful tool of agency – for humans and non-humans alike. In this article, we go through...
This article explores the rhetorical context for early spoken sound recordings, placing them in the ...
As language (both writing/speech) rapidly changes due to on-going developments in speech recognition...
Introduction of a themed issue entitled "'Ventriloquism' as a practice and metaphor".Non peer review...
Opening a discussion about digital voices in contemporary spaces and popular music in two parts: 1) ...
As language (both writing/speech) rapidly changes due to on-going developments in Speech Synthesis/S...
Diffusé avec l'accord de Peter Lang, détenteur des droits d'auteur sur ce texte. https://www.peterla...
sers have now reached a satisfactory quality for most of the applications they can be used in, this ...
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