Add to ORKGIt is little more than thirty years since the introduction in 1987 of the European Community’s most significant financial support system for cinema and audiovisual media, the ‘Programme MEDIA’ (‘Mesures pour encourager le développement de l’industrie audiovisuelle’). In the meantime, the media and political landscapes have undergone significant changes: on the one hand, the digital revolution has shaken up, to some extent, film production and distribution; on the other, more recently, populist political currents are posing urgent questions about the very definition of nationhood and the wider European community. This issue of "Comunicazioni Sociali" reflects on the production and distribution of film and television within this context
What are the effects of digitization on the European broadcasting industries likely to be? Based on ...
Italian cinema is by long time a battle field between national government and local administrations....
This article begins with the observation that, in the era of media convergence and abundance, the co...
It is little more than thirty years since the introduction in 1987 of the European Com- munity’s mos...
It is little more than thirty years since the introduction in 1987 of the European Com- munity’s mos...
From a political-economic perspective, the global market is dominated still by major international c...
It has become almost axiomatic to state that the transition to digital technologies represents a mom...
A particular focus in this paper is the delicate issue of possible over-production of European films...
This paper reports the results derived from the research project, entitled “eDCINEMA: Towards the Eu...
Why do we think of clusters of films as a 'national cinema'? Why has the relationship between the na...
This is an open access book. Media industry research and EU policymaking are predominantly tailored ...
During the 1990s, the chain of events that began with the fall of the Berlin Wall (1989) led to the ...
Session "Navigating in the digital media culture: The audience perspective", Copenhage
Book synopsis: This book represents a radical attempt to rethink the post-war history of European ci...
What are the effects of digitization on the European broadcasting industries likely to be? Based on ...
Italian cinema is by long time a battle field between national government and local administrations....
This article begins with the observation that, in the era of media convergence and abundance, the co...
It is little more than thirty years since the introduction in 1987 of the European Com- munity’s mos...
It is little more than thirty years since the introduction in 1987 of the European Com- munity’s mos...
From a political-economic perspective, the global market is dominated still by major international c...
It has become almost axiomatic to state that the transition to digital technologies represents a mom...
A particular focus in this paper is the delicate issue of possible over-production of European films...
This paper reports the results derived from the research project, entitled “eDCINEMA: Towards the Eu...
Why do we think of clusters of films as a 'national cinema'? Why has the relationship between the na...
This is an open access book. Media industry research and EU policymaking are predominantly tailored ...
During the 1990s, the chain of events that began with the fall of the Berlin Wall (1989) led to the ...
Session "Navigating in the digital media culture: The audience perspective", Copenhage
Book synopsis: This book represents a radical attempt to rethink the post-war history of European ci...
What are the effects of digitization on the European broadcasting industries likely to be? Based on ...
Italian cinema is by long time a battle field between national government and local administrations....
This article begins with the observation that, in the era of media convergence and abundance, the co...