According to literature and film studies and from the point of view of the influence of classical tradition on Western culture¿classical Greek tradition, in this case¿this article analyses the inevitable¿to a certain degree¿betrayal by screenwriters of the literary texts that they adapt. However, in spite of being practically inevitable, Dr. Pau Gilabert indicates what are, in his opinion, the limits beyond which Ivory/Hesketh-Harvey should not have gone in order not to dilute the Hellenic temper of E. M. Forster¿s Maurice
(i) Chapter on E. M. Forster’s posthumous novel Maurice and the development and production complexit...
By Earl G. Ingersoll, College at Brockport faculty emeritus. Filming Forster focuses upon the chall...
In recent years there have been significant advances in theory and criticism around screen adaptatio...
According to Literature and Film studies and from the point of view of the influence of Classical Tr...
De acuerdo con los estudios sobre literatura y cine y desde el punto de vista de la influencia de la...
Podeu consultar la versió en castellà a: http://hdl.handle.net/2445/12132 ; i en anglès a: http://hd...
The aim of this article is to show how, although the evident idealization of Greece and Platonic lov...
This article examines the work-in-progress screenplays of Maurice by Ivory (1987), which was adapted...
During their ongoing lives, both E. M. Forster’s gay bildungsroman/romance ‘Maurice’ (written 1913–1...
Adaptation thrives in our entertainment culture and as consumers we encounter adapted works regularl...
International audienceOut of E. M. Forster's six novels, five were adapted for the screen, including...
The article suggests a re-thinking of how adaptation should be discussed, using the example of Gottf...
In the literary-historical and theoretical sense, the ancient drama established the initial genre of...
This dissertation interrogates the role of adaptation in creating and maintaining hegemonic cultural...
grantor: University of TorontoForster and Cavafy were both working out of the tradition of...
(i) Chapter on E. M. Forster’s posthumous novel Maurice and the development and production complexit...
By Earl G. Ingersoll, College at Brockport faculty emeritus. Filming Forster focuses upon the chall...
In recent years there have been significant advances in theory and criticism around screen adaptatio...
According to Literature and Film studies and from the point of view of the influence of Classical Tr...
De acuerdo con los estudios sobre literatura y cine y desde el punto de vista de la influencia de la...
Podeu consultar la versió en castellà a: http://hdl.handle.net/2445/12132 ; i en anglès a: http://hd...
The aim of this article is to show how, although the evident idealization of Greece and Platonic lov...
This article examines the work-in-progress screenplays of Maurice by Ivory (1987), which was adapted...
During their ongoing lives, both E. M. Forster’s gay bildungsroman/romance ‘Maurice’ (written 1913–1...
Adaptation thrives in our entertainment culture and as consumers we encounter adapted works regularl...
International audienceOut of E. M. Forster's six novels, five were adapted for the screen, including...
The article suggests a re-thinking of how adaptation should be discussed, using the example of Gottf...
In the literary-historical and theoretical sense, the ancient drama established the initial genre of...
This dissertation interrogates the role of adaptation in creating and maintaining hegemonic cultural...
grantor: University of TorontoForster and Cavafy were both working out of the tradition of...
(i) Chapter on E. M. Forster’s posthumous novel Maurice and the development and production complexit...
By Earl G. Ingersoll, College at Brockport faculty emeritus. Filming Forster focuses upon the chall...
In recent years there have been significant advances in theory and criticism around screen adaptatio...