The effects of sound strength (G) on perceived listener envelopment (LEV) at audience positions were investigated in different concert halls. The impulse responses were measured in the halls with different size. Anechoic violin sound was convolved with the impulse responses and the sound pressure level (SPL) was varied from 68.0 to 75.5 dBA in 1.5 dB step. A total of 18 sound stimuli with different interaural cross correlation (IACC) values of 0.13, 0.37, and 0.57 were provided for auditory tests. Results of subjective experiments indicated that LEV was not realized when SPL was less than around 70dBA even though IACC was 0.13. This means that the effect of IACC on LEV perception could be relatively small when the SPL is not large enough
An audience's auditory experience during a thrilling and emotive live symphony concert is an intertw...
International audienceReverberation is one of the main perceptual dimensions allowing to rate and to...
Measurements that attempt to predict the perceived spatial impression of musical signals in concert ...
One of the main factors that makes listening to live concerts emotionally engaging is the dynamic ch...
Auditory width measurements based on the interaural cross-correlation coefficient (IACC) are often u...
The purpose of this study is to propose a new method for evaluating the sound field of auditoria wit...
Generally acoustical qualities of concert halls and opera houses are evaluated in base of BIRs (bina...
Dynamics is one of the principal means of expressivity in Western classical music. Still, preceding ...
International audienceThe aim of the presented research is to determine whether the perception of re...
cote interne IRCAM: Kahle95bNone / NoneNational audienceAnalysing the results of subjective listenin...
This paper reports the results of subjective studies to determine objective predictors of perceivedl...
Room impulse responses (stereophonic and binaural) were recorded using identical procedures in five ...
Auditory width measurements based on the interaural cross-correlation coefficient (IACC) are often u...
The perceptions of ASW and LEV at different source-listener distances in a reverberant soundfield we...
Generally acoustical qualities of concert halls and opera houses are evaluated in base of BIRs (bina...
An audience's auditory experience during a thrilling and emotive live symphony concert is an intertw...
International audienceReverberation is one of the main perceptual dimensions allowing to rate and to...
Measurements that attempt to predict the perceived spatial impression of musical signals in concert ...
One of the main factors that makes listening to live concerts emotionally engaging is the dynamic ch...
Auditory width measurements based on the interaural cross-correlation coefficient (IACC) are often u...
The purpose of this study is to propose a new method for evaluating the sound field of auditoria wit...
Generally acoustical qualities of concert halls and opera houses are evaluated in base of BIRs (bina...
Dynamics is one of the principal means of expressivity in Western classical music. Still, preceding ...
International audienceThe aim of the presented research is to determine whether the perception of re...
cote interne IRCAM: Kahle95bNone / NoneNational audienceAnalysing the results of subjective listenin...
This paper reports the results of subjective studies to determine objective predictors of perceivedl...
Room impulse responses (stereophonic and binaural) were recorded using identical procedures in five ...
Auditory width measurements based on the interaural cross-correlation coefficient (IACC) are often u...
The perceptions of ASW and LEV at different source-listener distances in a reverberant soundfield we...
Generally acoustical qualities of concert halls and opera houses are evaluated in base of BIRs (bina...
An audience's auditory experience during a thrilling and emotive live symphony concert is an intertw...
International audienceReverberation is one of the main perceptual dimensions allowing to rate and to...
Measurements that attempt to predict the perceived spatial impression of musical signals in concert ...