In this paper we present a new analytical GC/MS method for the analysis of mixtures of free fatty acids and metal soaps in paint samples. This approach is based on the use of two different silylating agents: N,O-bis(trimethylsilyl)trifluoroacetamide (BSTFA) and 1,1,1,3,3,3-hexamethyldisilazane (HMDS). Our experimentation demonstrated that HMDS does not silylate fatty acid carboxylates, so it can be used for the selective derivatization and GC/MS quantitative analysis of free fatty acids. On the other hand BSTFA is able to silylate both free fatty acids and fatty acids carboxylates. The reaction conditions for the derivatization of carboxylates with BSTFA were thus optimized with a full factorial 32 experimental design using lead stearate an...
The introduction of industrial materials in modern and contemporary art has led to new issues in the...
From a chemical point of view, oil paintings are not stable objects. Visually, changes in the appear...
Background: In conservation of old paintings, knowing the composition of the paint binder is of grea...
Metal soaps and resinates are known to be spontaneously formed in artistic paintings, as a product o...
Up to 70 % of the oil paintings conserved in collections present metal soaps, which result from the ...
Up to 70 % of the oil paintings conserved in collections present metal soaps, which result from the ...
The influence of free metal stearates, other metal soaps and free fatty acids on the water sensitivi...
This paper presents a GC-MS analytical procedure for determining proteinaceous materials, glycerolip...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
From the 19th Century, artists’ oil paints were increasingly produced on an industrial scale and inc...
In this work a new, accurate and reliable method, which has been applied to determine the quantitati...
The impact of solvent exposure on oil paintings and the differences between solvent application meth...
To characterize more fully the metal soaps found in paint films or on metal surfaces, several metal ...
An LC–ESI-MS method is presented as a novel approach for the study of aged drying oils and oil paint...
Alkyd resins have been commonly used as binders in artist paints since the 1940s. The characterizati...
The introduction of industrial materials in modern and contemporary art has led to new issues in the...
From a chemical point of view, oil paintings are not stable objects. Visually, changes in the appear...
Background: In conservation of old paintings, knowing the composition of the paint binder is of grea...
Metal soaps and resinates are known to be spontaneously formed in artistic paintings, as a product o...
Up to 70 % of the oil paintings conserved in collections present metal soaps, which result from the ...
Up to 70 % of the oil paintings conserved in collections present metal soaps, which result from the ...
The influence of free metal stearates, other metal soaps and free fatty acids on the water sensitivi...
This paper presents a GC-MS analytical procedure for determining proteinaceous materials, glycerolip...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
From the 19th Century, artists’ oil paints were increasingly produced on an industrial scale and inc...
In this work a new, accurate and reliable method, which has been applied to determine the quantitati...
The impact of solvent exposure on oil paintings and the differences between solvent application meth...
To characterize more fully the metal soaps found in paint films or on metal surfaces, several metal ...
An LC–ESI-MS method is presented as a novel approach for the study of aged drying oils and oil paint...
Alkyd resins have been commonly used as binders in artist paints since the 1940s. The characterizati...
The introduction of industrial materials in modern and contemporary art has led to new issues in the...
From a chemical point of view, oil paintings are not stable objects. Visually, changes in the appear...
Background: In conservation of old paintings, knowing the composition of the paint binder is of grea...