Janet Cardiff and George Bures Miller: spatial environments and experiments in sound

© 2018 Dr. Aneta TrajkoskiThis thesis is the first scholarly monograph that comprehensively examines the work of contemporary Canadian artists Janet Cardiff (b. 1957) and George Bures Miller (b. 1960). It provides a detailed account of their sound and media installations, audio walks, and video walks between the late 1980s and 2014. This thesis asks: how may Janet Cardiff and George Bures Miller’s artworks be investigated and understood as sound installations? The significant focus of my research is Cardiff and Miller’s emphasis on recorded sound, media, and experimentation that has defined their works since the late 1980s. I emphasize that sound design (the mixing, layering, and editing of sound) was pivotal to Cardiff and Miller creating their self-described “spatial environments.” These methods and technologies enabled Cardiff and Miller to confront and redefine existing trajectories of sound, video, and installation art within contemporary art. This in-depth study of Cardiff and Miller’s artwork contributes to the discursive category of sound and video installation. The wider contribution of this thesis to the field is to develop and explain how sound is exhibited and encountered as contemporary art