Includes bibliographical references (p.235-263).The performing arts (a combination of music, dance and dramatisation) in the church in Kenya have not received much scholarly attention. These performing arts as adopted by Christian dance groups in Kenya have not been fully accepted into Christian circles because of the indigenous and popular music influences that govern them. This study therefore sets out to determine the educational role that the performing arts in the church in Nairobi play as demonstrated by a Nairobi Christian dance group, the Maximum Miracle Melodies
Abstract In this study, I explore particular aspects in which the relationship between Pentecostal m...
The fundamental reason for this research project is to create an indigenous based music guidelines f...
This paper presents an overview exposition and critical reflection on the evolution and functionalit...
Includes bibliographical references.This research focuses on Kayamba Africa's repertoire of reworked...
Includes abstracts.Includes bibliographical references (p. 137-147).This study investigates inshimi ...
Music education in Kenya has been characterised by the teaching of Western musical literacy and a cu...
“MAZUVA EKUPEDZISA” by Abraham Maraire. (Old Umtali, Rhodesia) During the year an innovation in reli...
Traditionally, music has always held an important place in African society. Each event of any signif...
The bible in the book of Leviticus tells that a nation should and ought to find its place in every f...
The Presbyterian Church of Mozambique (IPM) has its origins in the Swiss Mission and the European Re...
Includes bibliography.Traditional Xhosa speaking diviners operate within the broad framework of trad...
The purpose of this study is to construct an African Music and Dance Interdisciplinary Curriculum fo...
There are many African musical instruments scattered throughout Kenya. In some cases it appears that...
Kehittäjäkoulutuksen tohtorintutkintoon liittyvä kirjallinen työ.The objective of this research proj...
I visited many parts of Uganda, with the exception of West Nile, and almost everywhere I was struck ...
Abstract In this study, I explore particular aspects in which the relationship between Pentecostal m...
The fundamental reason for this research project is to create an indigenous based music guidelines f...
This paper presents an overview exposition and critical reflection on the evolution and functionalit...
Includes bibliographical references.This research focuses on Kayamba Africa's repertoire of reworked...
Includes abstracts.Includes bibliographical references (p. 137-147).This study investigates inshimi ...
Music education in Kenya has been characterised by the teaching of Western musical literacy and a cu...
“MAZUVA EKUPEDZISA” by Abraham Maraire. (Old Umtali, Rhodesia) During the year an innovation in reli...
Traditionally, music has always held an important place in African society. Each event of any signif...
The bible in the book of Leviticus tells that a nation should and ought to find its place in every f...
The Presbyterian Church of Mozambique (IPM) has its origins in the Swiss Mission and the European Re...
Includes bibliography.Traditional Xhosa speaking diviners operate within the broad framework of trad...
The purpose of this study is to construct an African Music and Dance Interdisciplinary Curriculum fo...
There are many African musical instruments scattered throughout Kenya. In some cases it appears that...
Kehittäjäkoulutuksen tohtorintutkintoon liittyvä kirjallinen työ.The objective of this research proj...
I visited many parts of Uganda, with the exception of West Nile, and almost everywhere I was struck ...
Abstract In this study, I explore particular aspects in which the relationship between Pentecostal m...
The fundamental reason for this research project is to create an indigenous based music guidelines f...
This paper presents an overview exposition and critical reflection on the evolution and functionalit...