In this paper, I investigate the idea of cross-community professional theatre as a means of dissolving fixed georgraphical landscapes. Key to this is the synergy between mainstream and community theatre, out of which this idea emerges. I explore how theatre facilitates conversations across differences. 'Differences' encompass questions of geographical, class and racial divides as well as the ideological differences between mainstream and community theatre. Cross-community professional theatre involves working with people from different communities around specific issues. Professional actors work alongside non-professional actors from communities to create a piece of theatre. Community members are involved in the process as well as in the pe...
Includes bibliographical references (leaves 102-105).In a developing country such as South Africa, t...
ABSTRACT The Larger Stages: The Becoming ‘Minor’ of South African Theatres. By Jill Planche South...
The cultural revolution of 1968 paved the way for many artists to reconsider how and where theatre ...
Deposited with permission of the author. © 2004 Dr. Christine SinclairThis thesis is an examination ...
Includes bibliographical references (leaves 65-66).This study is a theoretical explication of an ide...
This thesis which accompanies the public works is a reflective analysis of my creative practice as a...
Magister Artium - MAScholarship on theatre in South Africa has shown how under the Apartheid governm...
Includes abstract.Includes bibliographical references (leaves 79-82).This dissertation explores the ...
Includes abstract.|Includes bibliographical references (leaves 74-79).As South African theatre artis...
The cultural revolution of 1968 paved the way for many artists to reconsider how and where theatre w...
Once again, people are leaving the city and moving to the countryside for the hope of connection fou...
The subject of this study is a community theatre for, with and by girls aged 13–17. The theatre prac...
Includes abstract.Includes bibliographical references (leaves 61-64).This dissertation is an enquiry...
This project melds the creative and the theoretical in its presentation and analysis of two communit...
Includes abstract.Includes bibliographical references (leaves 82-86).This dissertation seeks to addr...
Includes bibliographical references (leaves 102-105).In a developing country such as South Africa, t...
ABSTRACT The Larger Stages: The Becoming ‘Minor’ of South African Theatres. By Jill Planche South...
The cultural revolution of 1968 paved the way for many artists to reconsider how and where theatre ...
Deposited with permission of the author. © 2004 Dr. Christine SinclairThis thesis is an examination ...
Includes bibliographical references (leaves 65-66).This study is a theoretical explication of an ide...
This thesis which accompanies the public works is a reflective analysis of my creative practice as a...
Magister Artium - MAScholarship on theatre in South Africa has shown how under the Apartheid governm...
Includes abstract.Includes bibliographical references (leaves 79-82).This dissertation explores the ...
Includes abstract.|Includes bibliographical references (leaves 74-79).As South African theatre artis...
The cultural revolution of 1968 paved the way for many artists to reconsider how and where theatre w...
Once again, people are leaving the city and moving to the countryside for the hope of connection fou...
The subject of this study is a community theatre for, with and by girls aged 13–17. The theatre prac...
Includes abstract.Includes bibliographical references (leaves 61-64).This dissertation is an enquiry...
This project melds the creative and the theoretical in its presentation and analysis of two communit...
Includes abstract.Includes bibliographical references (leaves 82-86).This dissertation seeks to addr...
Includes bibliographical references (leaves 102-105).In a developing country such as South Africa, t...
ABSTRACT The Larger Stages: The Becoming ‘Minor’ of South African Theatres. By Jill Planche South...
The cultural revolution of 1968 paved the way for many artists to reconsider how and where theatre ...