Add to ORKGRevisiting the future re-examines some ideas of the Italian Futurist painters Boccioni, Balla, Carra, Russolo and Severini. These ideas included multiplied sensations and states of mind, interpenetration and superimposition, lines of force, and placing the spectator at the center of the painting. These ideas are then examined in relation to the senses and to contemporary art practice. I present ideas on how images for the various senses can operate both individually and collectively to create interactive, multi-sensory communication surfaces. The works I produced are my response to the challenges posed to painting and artistic practice by the sensorium and the Futurist painters' ideas
An avant-garde movement that explored many different aesthetic fields, Futurism focused on cinema b...
Theorists, critics, art-lovers and artmakers need to learn to listen to the diversity of voices and ...
The only time in which we can act is the future; the consciousness of the centrality of futures’ stu...
The Italian Futurist painters who were active in the early years of the 20th Century sought to captu...
The figurative language research to representing the painting’s movement of an object in space is t...
At exactly 100 years after its birth, Futurism is revisited in terms of the new potentialities offer...
Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as h...
This book explores the theory of creativity in the Second Florentine Futurism avant-garde movement (...
With the current crisis of globalization, it no longer makes sense to consider art and design as opp...
Includes bibliographical references (pages [64]-67)The Italian Futurists were a group of artists ass...
In the early work and theory of the Italian futurists, physical motion constituted a modern and mode...
Italian artists' books stand threads which have their common starting point in a renewed interest fo...
In today's world of wonder and uncertainty, the future becomes unpredictable. The unknown draws peop...
This article aims to reflect on the legacy of Italian Futurism in 20th-century art and culture, as w...
technology and the arts in 20th century Italy. It will be titled Leonardo’s Children, and it aims to...
An avant-garde movement that explored many different aesthetic fields, Futurism focused on cinema b...
Theorists, critics, art-lovers and artmakers need to learn to listen to the diversity of voices and ...
The only time in which we can act is the future; the consciousness of the centrality of futures’ stu...
The Italian Futurist painters who were active in the early years of the 20th Century sought to captu...
The figurative language research to representing the painting’s movement of an object in space is t...
At exactly 100 years after its birth, Futurism is revisited in terms of the new potentialities offer...
Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as h...
This book explores the theory of creativity in the Second Florentine Futurism avant-garde movement (...
With the current crisis of globalization, it no longer makes sense to consider art and design as opp...
Includes bibliographical references (pages [64]-67)The Italian Futurists were a group of artists ass...
In the early work and theory of the Italian futurists, physical motion constituted a modern and mode...
Italian artists' books stand threads which have their common starting point in a renewed interest fo...
In today's world of wonder and uncertainty, the future becomes unpredictable. The unknown draws peop...
This article aims to reflect on the legacy of Italian Futurism in 20th-century art and culture, as w...
technology and the arts in 20th century Italy. It will be titled Leonardo’s Children, and it aims to...
An avant-garde movement that explored many different aesthetic fields, Futurism focused on cinema b...
Theorists, critics, art-lovers and artmakers need to learn to listen to the diversity of voices and ...
The only time in which we can act is the future; the consciousness of the centrality of futures’ stu...