San paintings of therianthropes, beings that combine human and non-human features, are described and analysed in order to formulate a theory concerning the meaning of these paintings for the people who made and viewed them. The range of therianthrope paintings is described. Four explanations, or theories, concerning the therianthropes are discussed and evaluated in relation to San religious rites and beliefs and the physical forms taken by therianthropes in the art. These explanations or theories focus respectively on animal-masked/costumed shamans, shamans transformed into animals or other creatures while in altered states, the spirits of dead shamans and the human-animal beings of San myths. Physical as well as deeper, structural, concep...
The animal style has become an ubiquitous term in Scytho-Siberian studies, however, its overall acce...
It is contended here that the leading approach in San rock art studies, commonly referred to as the ...
This paper offers a perceptual! psychologist’s explanation of the predominance of portrayals of cert...
Bibliography: p. 206-228.Understanding a widespread motif in San rock art - a human figure depicted ...
Research on southern African rock art interpretation has been heavily steered to geographically ‘ric...
This work is based on the comparative iconographic analysis of a distinct corpus of paintings within...
From Introduction: The study of San rock art has undergone several different phases in approach to t...
The nature of human-animal hybrid beings (or therianthropes) is examined in an Animistic (traditiona...
M.Tech. (Fine Art)Abstract: This research offers an analysis of anthropomorphism and therianthropism...
This contribution examines the multispecies matrix of parietal art-making in early human evolution. ...
Artykuł powstał w ramach realizacji projektu finansowanego ze środków Narodowego Centrum Nauki przyz...
This is the proof. The final version is available from Archaeopress via the ISBN in this recordA San...
Photographs of San descendants from Prieska, Northern Cape, form part of the Bleek Collection, Oppen...
The term rock art represents prehistoric, historic and present images, which are being created on th...
Abstract: The Keimoes Engraving Site 01 (KES 01) north of Keimoes, Northern Cape Province, is a rece...
The animal style has become an ubiquitous term in Scytho-Siberian studies, however, its overall acce...
It is contended here that the leading approach in San rock art studies, commonly referred to as the ...
This paper offers a perceptual! psychologist’s explanation of the predominance of portrayals of cert...
Bibliography: p. 206-228.Understanding a widespread motif in San rock art - a human figure depicted ...
Research on southern African rock art interpretation has been heavily steered to geographically ‘ric...
This work is based on the comparative iconographic analysis of a distinct corpus of paintings within...
From Introduction: The study of San rock art has undergone several different phases in approach to t...
The nature of human-animal hybrid beings (or therianthropes) is examined in an Animistic (traditiona...
M.Tech. (Fine Art)Abstract: This research offers an analysis of anthropomorphism and therianthropism...
This contribution examines the multispecies matrix of parietal art-making in early human evolution. ...
Artykuł powstał w ramach realizacji projektu finansowanego ze środków Narodowego Centrum Nauki przyz...
This is the proof. The final version is available from Archaeopress via the ISBN in this recordA San...
Photographs of San descendants from Prieska, Northern Cape, form part of the Bleek Collection, Oppen...
The term rock art represents prehistoric, historic and present images, which are being created on th...
Abstract: The Keimoes Engraving Site 01 (KES 01) north of Keimoes, Northern Cape Province, is a rece...
The animal style has become an ubiquitous term in Scytho-Siberian studies, however, its overall acce...
It is contended here that the leading approach in San rock art studies, commonly referred to as the ...
This paper offers a perceptual! psychologist’s explanation of the predominance of portrayals of cert...