An article exploring Erich Retzlaff's (1899-1993) photographic journey along the Danube in the 1940s. The article explores his use of colour photography and the fact that Retzlaff received support from the Nazi regime to travel. The journey tied into his passion for physiognomy (in this case often a geographic physiognomy) as a visual manifestations of Germanic autarky in Germany’s pan-regions. This is a timely examination of the seemingly innocuous mode of travel photography becoming an incisive populist tool of mass propaganda.<br/
The use of a photo in scientific purposes for documentation of events and facts began almost with th...
Copyright © Central European History Society of the American Historical Association 2015. This artic...
While most scholars focus on analyzing the content of photographs taken under Nazi rule, this disser...
An article exploring Erich Retzlaff's (1899-1993) photographic journey along the Danube in the 1940s...
Erich Retzlaff (1899-1993) is a name almost forgotten in the ever-swelling annals of the various his...
This paper explored the photography of Erich Retzlaff (1899-1993) from a metaphysical and physiognom...
During the early Twentieth Century in Germany, esoteric paradigms such as physiognomy, affected and ...
Despite his current ignominy, in the early twentieth century Erich Retzlaff was a prolific photograp...
The function of photography in W. G. Sebald's Die Ausgewanderten goes beyond the merely illustrative...
This lucid and comprehensive collection of essays by an international group of scholars constitutes ...
"This lucid and comprehensive collection of essays by an international group of scholars constitutes...
Who are we? What is our identity? What relates us, binds us to one group and not another? What makes...
In the introduction to this special issue on photography and German history, we outline current rese...
This thesis tries to shed light on the visual portrayal of refugees within German and the British ne...
The file attached to this record is the author's final peer reviewed version.This is an introduction...
The use of a photo in scientific purposes for documentation of events and facts began almost with th...
Copyright © Central European History Society of the American Historical Association 2015. This artic...
While most scholars focus on analyzing the content of photographs taken under Nazi rule, this disser...
An article exploring Erich Retzlaff's (1899-1993) photographic journey along the Danube in the 1940s...
Erich Retzlaff (1899-1993) is a name almost forgotten in the ever-swelling annals of the various his...
This paper explored the photography of Erich Retzlaff (1899-1993) from a metaphysical and physiognom...
During the early Twentieth Century in Germany, esoteric paradigms such as physiognomy, affected and ...
Despite his current ignominy, in the early twentieth century Erich Retzlaff was a prolific photograp...
The function of photography in W. G. Sebald's Die Ausgewanderten goes beyond the merely illustrative...
This lucid and comprehensive collection of essays by an international group of scholars constitutes ...
"This lucid and comprehensive collection of essays by an international group of scholars constitutes...
Who are we? What is our identity? What relates us, binds us to one group and not another? What makes...
In the introduction to this special issue on photography and German history, we outline current rese...
This thesis tries to shed light on the visual portrayal of refugees within German and the British ne...
The file attached to this record is the author's final peer reviewed version.This is an introduction...
The use of a photo in scientific purposes for documentation of events and facts began almost with th...
Copyright © Central European History Society of the American Historical Association 2015. This artic...
While most scholars focus on analyzing the content of photographs taken under Nazi rule, this disser...