More than just a box office flop that resurrected itself in the midnight movie circuit, Blade Runner (1982) achieved extraordinary cult status through video, laserdisc, and a five-disc DVD collector's set. Blade Runner has become a network of variant texts and fan speculations—a franchise created around just one film. Some have dubbed the movie "classroom cult" for its participation in academic debates, while others have termed it "meta-cult," in line with the work of Umberto Eco. The film has also been called "design cult," thanks to Ridley Scott's brilliant creation of a Los Angeles in 2019, the graphics and props of which have been recreated by devoted fans. Blade Runner tests the limits of this authenticity and artificiality, challengin...
This paper examines the film Space is the Place, a 1974 science-fiction film starring jazz maverick ...
Includes bibliographical references (leaves 153-160)This study focuses on the social erasure of the ...
This paper explores notions of realism, evidence, undecidability and faith in the context of our rel...
More than just a box office flop that resurrected itself in the midnight movie circuit, Blade Runner...
As for my own role in the BLADE RUNNER project, I can only say that I did not know that a work of mi...
Blade Runner takes place in the XXIst century in Los Angeles and deals with the story of the Répliqu...
Blade Runner takes place in the XXIst century in Los Angeles and deals with the story of the Répliqu...
The urban future of Los Angeles in Ridley Scott’s film Blade Runner (1982) is one of advanced decay,...
Following the decline of Christianity in mainstream Western culture, a void rose in the moral and so...
Defining cult movies stresses the sheer diversity of the films which have been brought together unde...
Slick, advanced technology, strange or dystopian politics and the rich mysteries of space are the mo...
In contemporary cult film scholarship, the experiences of cult fans are too often subject to scholar...
Blade Runner, Ridley Scott’s 1982 dystopian imagining of the Earth has, at its centre, the tension o...
ABSTRACT. Film and other forms of popular culture place enormously powerful tools at the disposal of...
This paper examines the film Space is the Place, a 1974 science-fiction film starring jazz maverick ...
This paper examines the film Space is the Place, a 1974 science-fiction film starring jazz maverick ...
Includes bibliographical references (leaves 153-160)This study focuses on the social erasure of the ...
This paper explores notions of realism, evidence, undecidability and faith in the context of our rel...
More than just a box office flop that resurrected itself in the midnight movie circuit, Blade Runner...
As for my own role in the BLADE RUNNER project, I can only say that I did not know that a work of mi...
Blade Runner takes place in the XXIst century in Los Angeles and deals with the story of the Répliqu...
Blade Runner takes place in the XXIst century in Los Angeles and deals with the story of the Répliqu...
The urban future of Los Angeles in Ridley Scott’s film Blade Runner (1982) is one of advanced decay,...
Following the decline of Christianity in mainstream Western culture, a void rose in the moral and so...
Defining cult movies stresses the sheer diversity of the films which have been brought together unde...
Slick, advanced technology, strange or dystopian politics and the rich mysteries of space are the mo...
In contemporary cult film scholarship, the experiences of cult fans are too often subject to scholar...
Blade Runner, Ridley Scott’s 1982 dystopian imagining of the Earth has, at its centre, the tension o...
ABSTRACT. Film and other forms of popular culture place enormously powerful tools at the disposal of...
This paper examines the film Space is the Place, a 1974 science-fiction film starring jazz maverick ...
This paper examines the film Space is the Place, a 1974 science-fiction film starring jazz maverick ...
Includes bibliographical references (leaves 153-160)This study focuses on the social erasure of the ...
This paper explores notions of realism, evidence, undecidability and faith in the context of our rel...