In this article Andrew Filmer examines performers' experiences in the areas of backstage space known as the wings. Opening with architectural and experiential definitions of the wings, he describes the dangers performers encounter in these spaces, and the various compensatory tactics they employ in response. While the backstage spaces of theatres have traditionally been of little academic interest, Filmer argues that performers' perceptions of the wings are vital in informing their own understandings of what it is to be a professional performer. Andrew Filmer was awarded his PhD by the University of Sydney in 2007 and is currently a lecturer in Drama, Theatre and Performance at Aberystwyth University
The following is from a presentation at the Double Dialogues Conference, On Space, at The University...
This study means to identify and acknowledge the connection between the director’s ego and the poten...
Within contemporary performance arenas young people and companies who develop work for them are a vi...
In this article Andrew Filmer examines performers' experiences in the areas of backstage space known...
How do actors make use of the backstage spaces of theatres, and what insights might be gained from o...
How do actors make use of the backstage spaces of theatres, and what insights might be gained from o...
This practitioner reflection explores the impact of a long-term inter-generational theatre project o...
The profound spatial turn experienced by the humanities and social sciences over recent decades has ...
Baz Kershaw argues that theatre buildings are embedded within a “disciplinary system” that traps aud...
The profound spatial turn experienced by the humanities and social sciences over recent decades has ...
The profound spatial turn experienced by the humanities and social sciences over recent decades has ...
This paper will examine questions of boundaries and collaboration in relation to the viewer and perf...
This study means to identify and acknowledge the connection between the director’s ego and the poten...
Every year thousands of young people across Australia audition to join actor-training institutions.1...
This dissertation develops a theory for analyzing the role of audiences as aesthetic resources in co...
The following is from a presentation at the Double Dialogues Conference, On Space, at The University...
This study means to identify and acknowledge the connection between the director’s ego and the poten...
Within contemporary performance arenas young people and companies who develop work for them are a vi...
In this article Andrew Filmer examines performers' experiences in the areas of backstage space known...
How do actors make use of the backstage spaces of theatres, and what insights might be gained from o...
How do actors make use of the backstage spaces of theatres, and what insights might be gained from o...
This practitioner reflection explores the impact of a long-term inter-generational theatre project o...
The profound spatial turn experienced by the humanities and social sciences over recent decades has ...
Baz Kershaw argues that theatre buildings are embedded within a “disciplinary system” that traps aud...
The profound spatial turn experienced by the humanities and social sciences over recent decades has ...
The profound spatial turn experienced by the humanities and social sciences over recent decades has ...
This paper will examine questions of boundaries and collaboration in relation to the viewer and perf...
This study means to identify and acknowledge the connection between the director’s ego and the poten...
Every year thousands of young people across Australia audition to join actor-training institutions.1...
This dissertation develops a theory for analyzing the role of audiences as aesthetic resources in co...
The following is from a presentation at the Double Dialogues Conference, On Space, at The University...
This study means to identify and acknowledge the connection between the director’s ego and the poten...
Within contemporary performance arenas young people and companies who develop work for them are a vi...