Add to ORKGArticle for a special project included in the Grapheion Year Book 2008 – entitled Memory of the Future edited by art critic and writer Richard Noyce. Article reflects upon the future of Printmaking in 2028 and examines the potential for the development of the interface between traditional and digital technology
This research was initiated by questions raised from the researchers professional activities in fine...
It has been suggested by a range of established commentators that digital technology may have potent...
The output is a curated project, Leeds Print Festival: Process and Printmaking, curated by Smith, 20...
Article for a special project included in the Grapheion Year Book 2008 – entitled Memory of the Futu...
This paper, through a conversation between Professor Coldwell and Dr Laidler, considers the ongoing ...
Since 2008 Croft has been interested exploring the interface between digital and analogue printmakin...
In a 2006 short story, ‘Printcrime’, Cory Doctorow imagined a dystopian future of contraband 3D prin...
The collaborative print studio has had profound impact upon the production and realisation of some o...
The article discusses the curatorial premise and collaborative studio practices behind the Just Pres...
The possibility of linking paper to digital information is enhanced by recent developments in printe...
Published in 2018, ‘Re:Print’ is an experimental artists’ book, edited by Véronique Chance and Dunca...
The article looks at my own practice and how I have taken inspiration from traditional process such ...
Over the past decade there has been an ever-increasing number of digital and post-digital processes ...
3D printing technology has the potential to democratize the manufacturing process. 3D printers have ...
Printing methods are continually evolving bringing forth new possibilities and ranging purposes for ...
This research was initiated by questions raised from the researchers professional activities in fine...
It has been suggested by a range of established commentators that digital technology may have potent...
The output is a curated project, Leeds Print Festival: Process and Printmaking, curated by Smith, 20...
Article for a special project included in the Grapheion Year Book 2008 – entitled Memory of the Futu...
This paper, through a conversation between Professor Coldwell and Dr Laidler, considers the ongoing ...
Since 2008 Croft has been interested exploring the interface between digital and analogue printmakin...
In a 2006 short story, ‘Printcrime’, Cory Doctorow imagined a dystopian future of contraband 3D prin...
The collaborative print studio has had profound impact upon the production and realisation of some o...
The article discusses the curatorial premise and collaborative studio practices behind the Just Pres...
The possibility of linking paper to digital information is enhanced by recent developments in printe...
Published in 2018, ‘Re:Print’ is an experimental artists’ book, edited by Véronique Chance and Dunca...
The article looks at my own practice and how I have taken inspiration from traditional process such ...
Over the past decade there has been an ever-increasing number of digital and post-digital processes ...
3D printing technology has the potential to democratize the manufacturing process. 3D printers have ...
Printing methods are continually evolving bringing forth new possibilities and ranging purposes for ...
This research was initiated by questions raised from the researchers professional activities in fine...
It has been suggested by a range of established commentators that digital technology may have potent...
The output is a curated project, Leeds Print Festival: Process and Printmaking, curated by Smith, 20...