This article presents a series of key findings from the international Lord of the Rings project, around the meanings and implications for audiences of choosing to describe the films as a „Spiritual Journey‟. Drawing on a combination of quantitative results and qualitative responses, and presenting one woman‟s responses in detail, it proffers a set of implications for the fields of film, and cultural studies
This paper looks at the success and popularity of Jackson’s adaptation of The Lord of the Rings in l...
How did audiences across the world respond to the films of The Lord of the Rings? This book presents...
This is a report on what can be learnt from our world dataset about viewers of The Lord of the Rings...
This article presents a series of key findings from the international Lord of the Rings project, aro...
The concept of ‘identification’ remains a commonly called-upon resource for considering how media au...
Following the release in 2001 of the first film of Peter Jackson's adapted trilogy of J.R.R. Tolkien...
<p>Abstract copyright UK Data Service and data collection copyright owner.</p>This is a mixed method...
The concept of „identification ‟ remains a commonly called-upon resource for considering how media a...
In a recent article, Sonia Livingstone has attempted to summarise some of the many problems, complex...
This essay explores a series of issues which have emerged around the term ‘visualisation’ as a resul...
How did audiences across the world respond to the films of The Lord of the Rings? The book presents ...
In an increasingly global market, the Hollywood film industry is evolving rapidly. Once a stand-alon...
none1noWhile Peter Jackson's The Lord of the Rings (LOTR) trilogy has been the subject of an enormou...
This database contains all the responses (nearly 25,000) received to a questionnaire which was devel...
Examines The Lord of the Rings as a reflection of its historical and social context and seeks Tolkie...
This paper looks at the success and popularity of Jackson’s adaptation of The Lord of the Rings in l...
How did audiences across the world respond to the films of The Lord of the Rings? This book presents...
This is a report on what can be learnt from our world dataset about viewers of The Lord of the Rings...
This article presents a series of key findings from the international Lord of the Rings project, aro...
The concept of ‘identification’ remains a commonly called-upon resource for considering how media au...
Following the release in 2001 of the first film of Peter Jackson's adapted trilogy of J.R.R. Tolkien...
<p>Abstract copyright UK Data Service and data collection copyright owner.</p>This is a mixed method...
The concept of „identification ‟ remains a commonly called-upon resource for considering how media a...
In a recent article, Sonia Livingstone has attempted to summarise some of the many problems, complex...
This essay explores a series of issues which have emerged around the term ‘visualisation’ as a resul...
How did audiences across the world respond to the films of The Lord of the Rings? The book presents ...
In an increasingly global market, the Hollywood film industry is evolving rapidly. Once a stand-alon...
none1noWhile Peter Jackson's The Lord of the Rings (LOTR) trilogy has been the subject of an enormou...
This database contains all the responses (nearly 25,000) received to a questionnaire which was devel...
Examines The Lord of the Rings as a reflection of its historical and social context and seeks Tolkie...
This paper looks at the success and popularity of Jackson’s adaptation of The Lord of the Rings in l...
How did audiences across the world respond to the films of The Lord of the Rings? This book presents...
This is a report on what can be learnt from our world dataset about viewers of The Lord of the Rings...