This was a performance by Thomas Gardner, David Mollin and Salomé Voegelin, practising the relationship between sound and music with words, movements, numbers and cello. This performance was held at the launch of Colloquium: Sound Art – Music published by ZeroBook September 2016, edited by Thomas Gardner and Salomé Voegelin, with contributions from Allen S. Weiss, Nye Parry, David Toop, Volkmar Klien, Aura Satz, Leigh Landy, Cathy Lane, Simon Emmerson, Claudia Molitor and Kathy Hinde, with a postscript by Kate Lacey. More information can be found here http://ualresearchonline.arts.ac.uk/10374
Recent debates about mediating bodies in live performance foreground advancements in audio technolog...
Holtham’s achievement in the Bach Tonality Project reasserts core principles of his long established...
© 2019 Claire Alicia Robb HealyThis thesis is an analysis of collaborative relationships from a case...
In October 2012, Thomas Gardner and Salomé Voegelin hosted a colloquium, entitled Sound Art and Musi...
In 2012, Thomas Gardner and Salomé Voegelin hosted a colloquium entitled "Music - Sound Art: Histori...
Lecture as part of Performance Research Seminars of the AHRC Research Centre for Musical Performance...
Whilst there is a large body of NIME papers that concentrate on the presentation of new technologies...
Whilst there is a large body of NIME papers that concentrate on the presentation of new technologies...
Premiere performance of synaesthetic work combining video images from Moscow and Kazan, 2007 with co...
In Concert explores the relationship between memory and the body, focusing on how memory is physical...
The overall research findings from this National tour of \u27the album Weave\u27 serves as a model f...
This paper is an account of the creative process that resulted in the dissertation for a PhD in musi...
Abstract - (for the interactive PDF 2019). The polyphonic performer. A study of performance practice...
Performers Mine Doğantan Dack, piano, and Pal Banda, cello, critically reflect on and discuss "…that...
Informed by recent discoveries in embodied cognition in Psychology and Neuroscience, according to wh...
Recent debates about mediating bodies in live performance foreground advancements in audio technolog...
Holtham’s achievement in the Bach Tonality Project reasserts core principles of his long established...
© 2019 Claire Alicia Robb HealyThis thesis is an analysis of collaborative relationships from a case...
In October 2012, Thomas Gardner and Salomé Voegelin hosted a colloquium, entitled Sound Art and Musi...
In 2012, Thomas Gardner and Salomé Voegelin hosted a colloquium entitled "Music - Sound Art: Histori...
Lecture as part of Performance Research Seminars of the AHRC Research Centre for Musical Performance...
Whilst there is a large body of NIME papers that concentrate on the presentation of new technologies...
Whilst there is a large body of NIME papers that concentrate on the presentation of new technologies...
Premiere performance of synaesthetic work combining video images from Moscow and Kazan, 2007 with co...
In Concert explores the relationship between memory and the body, focusing on how memory is physical...
The overall research findings from this National tour of \u27the album Weave\u27 serves as a model f...
This paper is an account of the creative process that resulted in the dissertation for a PhD in musi...
Abstract - (for the interactive PDF 2019). The polyphonic performer. A study of performance practice...
Performers Mine Doğantan Dack, piano, and Pal Banda, cello, critically reflect on and discuss "…that...
Informed by recent discoveries in embodied cognition in Psychology and Neuroscience, according to wh...
Recent debates about mediating bodies in live performance foreground advancements in audio technolog...
Holtham’s achievement in the Bach Tonality Project reasserts core principles of his long established...
© 2019 Claire Alicia Robb HealyThis thesis is an analysis of collaborative relationships from a case...