From publisher's website: Thinking Through Theatre and Performance presents a bold and innovative approach to the study of theatre and performance. Instead of topics, genres, histories or theories, the book starts with the questions that theatre and performance are uniquely capable of asking: How does theatre function as a place for seeing and hearing? How do not only bodies and voices but also objects and media perform? How do memories, emotions and ideas continue to do their work when the performance is over? And how can theatre and performance intervene in social, political and environmental structures and frameworks? Written by leading international scholars, each chapter of this volume is built around a key performance example, and...
The book, which is based on the award-winning doctoral dissertation The Room’s Need of a Name: A Phi...
"The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical e...
What does theatre do for – and to – those who witness, watch, and participate in it? Theatre& Audie...
Thinking Through Theatre and Performance presents a bold and innovative approach to the study of the...
Thinking Through Theatre and Performance presents a bold and innovative approach to the study of the...
Thinking Through Theatre and Performance presents a bold and innovative approach to the study of the...
This book is concerned with the analysis of the theatrical event and all of the elements that make u...
Inspired by the question of what forces us to think and employing the Deleuzian concepts of affect a...
Inspired by the question of what forces us to think and employing the Deleuzian concepts of affect a...
The concept of theatricality became central to theatre and performance studies in recent years. In o...
These essays from 1983 to 2008 are pioneering in establishing and developing the field of the sociol...
When we go to the theatre, we understand that we are doing something different. It is not just that ...
When we go to the theatre, we understand that we are doing something different. It is not just that ...
The dissertation The Rhythm of Thinking: Immanence and Ethics in Theater Performance is an artistic ...
Drawing on Debord and Baudrillard, this thesis takes its starting point the shift from text to image...
The book, which is based on the award-winning doctoral dissertation The Room’s Need of a Name: A Phi...
"The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical e...
What does theatre do for – and to – those who witness, watch, and participate in it? Theatre& Audie...
Thinking Through Theatre and Performance presents a bold and innovative approach to the study of the...
Thinking Through Theatre and Performance presents a bold and innovative approach to the study of the...
Thinking Through Theatre and Performance presents a bold and innovative approach to the study of the...
This book is concerned with the analysis of the theatrical event and all of the elements that make u...
Inspired by the question of what forces us to think and employing the Deleuzian concepts of affect a...
Inspired by the question of what forces us to think and employing the Deleuzian concepts of affect a...
The concept of theatricality became central to theatre and performance studies in recent years. In o...
These essays from 1983 to 2008 are pioneering in establishing and developing the field of the sociol...
When we go to the theatre, we understand that we are doing something different. It is not just that ...
When we go to the theatre, we understand that we are doing something different. It is not just that ...
The dissertation The Rhythm of Thinking: Immanence and Ethics in Theater Performance is an artistic ...
Drawing on Debord and Baudrillard, this thesis takes its starting point the shift from text to image...
The book, which is based on the award-winning doctoral dissertation The Room’s Need of a Name: A Phi...
"The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical e...
What does theatre do for – and to – those who witness, watch, and participate in it? Theatre& Audie...