Tempo flexibility seems to be an undeniable demand of musical common sense, in which subtle expansions or contractions of the musical pulse, not specified by the composer, are made at the discretion of the performer. This study gathers evidence to establish solid historical authority for this practice, especially with regard to the music of Frederic Chopin. As a supplement, thirty sound recordings by thirty pianists, of Chopin\u27s Nocturne in E♭, Op. 9/2 are analyzed, in order to get a picture of how tempo flexibility has been used in the era of recorded sound. The sources consulted comprise primarily those contemporaneous with Chopin and from the later eighteenth century. The emphasis is on those, which address the area of piano performan...
The reconstitution of historical music recordings from close measurement of their details has seldom...
Many amateurs or professional performers usually encounter a major challenge in determin...
Many musicians (whether composers, performers, or writers) see rhythm as the most fundamental and in...
Tempo flexibility seems to be an undeniable demand of musical common sense, in which subtle expansio...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
A note interonset interval (IOI) increment in mechanically timed music is more difficult o detect wh...
Studies of early 20th-century performance practice tend to focus on features that are alien to late ...
International audienceAfter some in-depth analysis, for instance, of the first Ballade in G minor (1...
This thesis focuses on three principal areas: the reception of Chopin's music in Great Britain, both...
Different pieces of music offer different expressive possibilities. Even a single piece of music off...
The Four Scherzos of Frederic Chopin, influenced by the scherzos of Beethoven, have emerged as some ...
The polonaise is a genre whose history reaches back over four hundred years. In recent times, the s...
Claude Debussy (1862-1918), a highly original and influential composer at the turn of the twentieth ...
Item does not contain fulltextIn this study we investigated whether and how the timing of musical rh...
<div><p>We investigate the relationship between analytical information extracted from the score of C...
The reconstitution of historical music recordings from close measurement of their details has seldom...
Many amateurs or professional performers usually encounter a major challenge in determin...
Many musicians (whether composers, performers, or writers) see rhythm as the most fundamental and in...
Tempo flexibility seems to be an undeniable demand of musical common sense, in which subtle expansio...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
A note interonset interval (IOI) increment in mechanically timed music is more difficult o detect wh...
Studies of early 20th-century performance practice tend to focus on features that are alien to late ...
International audienceAfter some in-depth analysis, for instance, of the first Ballade in G minor (1...
This thesis focuses on three principal areas: the reception of Chopin's music in Great Britain, both...
Different pieces of music offer different expressive possibilities. Even a single piece of music off...
The Four Scherzos of Frederic Chopin, influenced by the scherzos of Beethoven, have emerged as some ...
The polonaise is a genre whose history reaches back over four hundred years. In recent times, the s...
Claude Debussy (1862-1918), a highly original and influential composer at the turn of the twentieth ...
Item does not contain fulltextIn this study we investigated whether and how the timing of musical rh...
<div><p>We investigate the relationship between analytical information extracted from the score of C...
The reconstitution of historical music recordings from close measurement of their details has seldom...
Many amateurs or professional performers usually encounter a major challenge in determin...
Many musicians (whether composers, performers, or writers) see rhythm as the most fundamental and in...