This research explores the use of hand printed surfaces upon digital prints with the aim of creating a dialogue about authenticity and the virtual. Through the combination of digital drawing and representational printed matter, the work aims to further the understanding of the practical possibilities of the relationship between digital media and traditional processes. The enquiry culminated in a series of works on paper that combined elements of digital production, printmaking and textured elements (silkscreen, flocking, gold leaf, woodcut and gloss). The research was initiated by the digital rendering of objects within a virtual environment. The drawings took as their form recognizable everyday objects that could be interpreted as repres...