This chapter addresses the Gothic as a haunting, disruptive force in contemporary culture. Focusing on post-punk music, I discuss crises related to urban decay in the Britain - particularly the North - of the seventies. With reference to the work of bands such as Joy Division and Throbbing Gristle, I posit a Deleuzian Gothic which, in contrast to the more melancholic evocations of Derridean hauntology, practically enlivens the imagination through the fertilizing power of the virtual
In a music-aesthetic approach to Gothic based on Hans Gumbrecht’s notion of atmosphere and Jean-Fran...
Artistic Monstrosities in New Gothic Art creating shock waves which help us find a lost sense of ou...
Throbbing Gristle made a unique intervention into popular culture that bridged confrontational perfo...
This chapter investigates the links between Joy Division and industrial Music in relation to the con...
Goth was a subculture derived from England’s punk movement, and it served as a pessimistic cultural ...
The Post-punk music movement of the late 1970s and early 80s, was, in various ways, hugely inspired ...
The significance of the contemporary goth music subculture have been the subject of some debate amon...
The stated intention of British post-punk band, Throbbing Gristle (TG), was to harness sound to crea...
Within this thesis I explore what can be achieved when culture is critically assessed through a seri...
Within this thesis I explore what can be achieved when culture is critically assessed through a seri...
AbstractThere was a virtual explosion in the last two decades in academic and scholarly works of Got...
Haunted houses are still a central figure in contemporary American film and literature alike. Contem...
Why, at a time when the majority of us no longer believe in ghosts, demons or the occult, does Gothi...
This chapter is an effort to understand how haunting is a core feature of social life, mediating the...
“Categories strain, crack and sometimes break, under their burden - step out of the space provided” ...
In a music-aesthetic approach to Gothic based on Hans Gumbrecht’s notion of atmosphere and Jean-Fran...
Artistic Monstrosities in New Gothic Art creating shock waves which help us find a lost sense of ou...
Throbbing Gristle made a unique intervention into popular culture that bridged confrontational perfo...
This chapter investigates the links between Joy Division and industrial Music in relation to the con...
Goth was a subculture derived from England’s punk movement, and it served as a pessimistic cultural ...
The Post-punk music movement of the late 1970s and early 80s, was, in various ways, hugely inspired ...
The significance of the contemporary goth music subculture have been the subject of some debate amon...
The stated intention of British post-punk band, Throbbing Gristle (TG), was to harness sound to crea...
Within this thesis I explore what can be achieved when culture is critically assessed through a seri...
Within this thesis I explore what can be achieved when culture is critically assessed through a seri...
AbstractThere was a virtual explosion in the last two decades in academic and scholarly works of Got...
Haunted houses are still a central figure in contemporary American film and literature alike. Contem...
Why, at a time when the majority of us no longer believe in ghosts, demons or the occult, does Gothi...
This chapter is an effort to understand how haunting is a core feature of social life, mediating the...
“Categories strain, crack and sometimes break, under their burden - step out of the space provided” ...
In a music-aesthetic approach to Gothic based on Hans Gumbrecht’s notion of atmosphere and Jean-Fran...
Artistic Monstrosities in New Gothic Art creating shock waves which help us find a lost sense of ou...
Throbbing Gristle made a unique intervention into popular culture that bridged confrontational perfo...