Approaching the screenplay as a complex system: underlying mechanics, interrelating dynamics and the plot-algorithmic process

The advancement of theoretical screenwriting has been limited to popularized “how-to” techniques to further investigate the field. These techniques were based on internalised rules-of-thumb drawn from inductive observations of existing screenplays. Such analyses failed to provide answers to two troubling fundamental questions: first, what makes stories emerge in the context of narrative, and second, what are the underlying dynamics that allow a screenplay to function as a unified whole? The contribution of Screenplectics lies in first, by explaining how a screenplay functions synergistically, and appropriating the necessary metaphors, systemically. And second, by explaining the mechanism that is employed between compositional interactions in various structural levels that allows the coherent accumulative derivative we call story to emerge. The transition from an empirical to a theoretical perspective is achieved by examining such dynamics under the prism of holism and through the introduction of characteristics of complex systems: a network of components arranged hierarchically that interact parallel to one another in non-linear ways. This hierarchy shapes the foundation of the different layers of structure in a screenplay: deep, intermediate and surface structure. This research consolidates the notion that for the comprehension of such complex dynamics a more comprehensive theory of narrative is required