Access restricted to the OSU CommunityThis dissertation explores the difficult problem of transcendence in lyric poetry by analyzing the themes of eroticism, transcendence and the sacred in the Roman poet Catullus and tracing the reception of Catullus in English lyric in Sir Philip Sidney and Thomas Carew. I argue that the function of the erotic in lyric discourse underwent a major shift in relation to sacred discourse and transcendence. This shift consisted of an alteration from a poetics of metaphor to metonymy and a conceptual alteration of transcendence from a vertical to a horizontal plane. I argue that the "Catullan Consciousness" did not fully emerge until the poetry of Philip Sidney. So, my work brings together a number of strands o...
This thesis defines ‘classical lyricism’ as any mode of appropriation of Greek and Latin monodic lyr...
This dissertation seeks to reconcile Piers Plowman’s continual use of popular lyric traditions with ...
In Lyrical Inheritance, I argue that, conceiving of poetry as productive of reputation and hopeful...
This dissertation explores the difficult problem of transcendence in lyric poetry by analyzing the t...
Restoring to Catullus a provocative power that familiarity has tended to dim, this book argues that ...
There exists between lyric poetry and music a bond that is at once tangible and grounded in practice...
There exists between lyric poetry and music a bond that is at once tangible and grounded in practice...
This dissertation seeks to reconcile Piers Plowman's continual use of popular lyric traditions with ...
This study originally dealt with the relation of the poetry of Catullus to the Greek lyric tradition...
This dissertation retraces the history of English lyric in the long eighteenth century (c. 1650–1790...
This dissertation investigates how Augustan poetry imagines, redefines and reconfigures the idea of ...
My thesis takes as its subject the poetry of Richard Crashaw. Crashaw aims to represent a mutual rel...
In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but ...
This dissertation examines the relationship of the Latin poet Catullus to the preceding Latin poetic...
This thesis is about reading. Working on the understanding that all texts read other texts, it aims ...
This thesis defines ‘classical lyricism’ as any mode of appropriation of Greek and Latin monodic lyr...
This dissertation seeks to reconcile Piers Plowman’s continual use of popular lyric traditions with ...
In Lyrical Inheritance, I argue that, conceiving of poetry as productive of reputation and hopeful...
This dissertation explores the difficult problem of transcendence in lyric poetry by analyzing the t...
Restoring to Catullus a provocative power that familiarity has tended to dim, this book argues that ...
There exists between lyric poetry and music a bond that is at once tangible and grounded in practice...
There exists between lyric poetry and music a bond that is at once tangible and grounded in practice...
This dissertation seeks to reconcile Piers Plowman's continual use of popular lyric traditions with ...
This study originally dealt with the relation of the poetry of Catullus to the Greek lyric tradition...
This dissertation retraces the history of English lyric in the long eighteenth century (c. 1650–1790...
This dissertation investigates how Augustan poetry imagines, redefines and reconfigures the idea of ...
My thesis takes as its subject the poetry of Richard Crashaw. Crashaw aims to represent a mutual rel...
In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but ...
This dissertation examines the relationship of the Latin poet Catullus to the preceding Latin poetic...
This thesis is about reading. Working on the understanding that all texts read other texts, it aims ...
This thesis defines ‘classical lyricism’ as any mode of appropriation of Greek and Latin monodic lyr...
This dissertation seeks to reconcile Piers Plowman’s continual use of popular lyric traditions with ...
In Lyrical Inheritance, I argue that, conceiving of poetry as productive of reputation and hopeful...