For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the Family and Cinema Editor's Note Families, Film Genres, and Technological Environments Andrew Ross Sons at the Brink of Manhood: Utopian Moments in Male Subjectivity Bill Nichols The Role of Marriage in the Films of Yasujiro Ozu Kathe Geist Family, Education, and Postmodern Society: Yoshimitsu Morita's The Family Game Keiko I. McDonald Was Tolstoy Right? Family Life and the Philippine Cinema Robert Silberman Symbolic Representation and Symbolic Violence: Chinese Family Melodrama of the Early 1980s Ma Ning Fate and the Family Sedan Meaghan Morris Domestic Scenes Patricia Mellencamp Book Review Ozu and the Poetics of Cinema David Bordwel
For more about the East-West Center, see http://www.eastwestcenter.org/Approaching Japanese Melodram...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the City and...
For more about the East-West Center, see http://www.eastwestcenter.org/Phobic Spaces and Liminal Pan...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the Family a...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Melodrama an...
For more about the East-West Center, see http://www.eastwestcenter.org/Foreword Editor's Note Film a...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Melodrama an...
For more about the East-West Center, see http://www.eastwestcenter.org/Tokyo on Film Tadao Sato Some...
For more about the East-West Center, see http://www.eastwestcenter.org/Editor's Note L'assimilation ...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Cinema and N...
For more about the East-West Center, see http://www.eastwestcenter.org/Kurosawa's Ran: Reception and...
For more about the East-West Center, see http://www.eastwestcenter.org/Notes on the Filipino Action ...
The Post World War II films of Akira Kurosawa (1910-1998) and Yasujiro Ozu (1903-1963) share a tradi...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Southeast As...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Cinema and H...
For more about the East-West Center, see http://www.eastwestcenter.org/Approaching Japanese Melodram...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the City and...
For more about the East-West Center, see http://www.eastwestcenter.org/Phobic Spaces and Liminal Pan...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the Family a...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Melodrama an...
For more about the East-West Center, see http://www.eastwestcenter.org/Foreword Editor's Note Film a...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Melodrama an...
For more about the East-West Center, see http://www.eastwestcenter.org/Tokyo on Film Tadao Sato Some...
For more about the East-West Center, see http://www.eastwestcenter.org/Editor's Note L'assimilation ...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Cinema and N...
For more about the East-West Center, see http://www.eastwestcenter.org/Kurosawa's Ran: Reception and...
For more about the East-West Center, see http://www.eastwestcenter.org/Notes on the Filipino Action ...
The Post World War II films of Akira Kurosawa (1910-1998) and Yasujiro Ozu (1903-1963) share a tradi...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Southeast As...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Cinema and H...
For more about the East-West Center, see http://www.eastwestcenter.org/Approaching Japanese Melodram...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the City and...
For more about the East-West Center, see http://www.eastwestcenter.org/Phobic Spaces and Liminal Pan...