This paper will discuss a number of the 17th century carpets in the collection of the Maharaja Sawai Man Singh II Museum in The City Palace of Jaipur in India. In 2008 the author was brought in as a consultant to Princess Diya Kumari, Maharini of Jaipur, to propose a program of conservation of Her Royal Highness\u27 Mughal carpet collection. There will be a description of the sixteen carpets examined; a discussion of the conditions in which the carpets are currently stored and exhibited; and, more generally, an overview of the history of this unique and renowned collection of Indian carpets
The appraisal of the design and the weaving structure of Islamic knotted-pile carpets can tell plent...
Within the textile design domain, the creative process often remains tacit and solely the knowledge ...
The 1851 Crystal Palace exhibition in London brought together arts and crafts from around the world ...
This paper will discuss a number of the 17th century carpets in the collection of the Maharaja Sawai...
Michael Schuster, PhD will be discussing the exhibition Field of Flowers: Mughal Carpets and Treasur...
In mid-seventeenth century South Asia, the taste for naturalistic floral sprays reached an apogee of...
This paper attempts to relate a small number of Mughal furnishing fabrics to their 17th C prices and...
On account of its focus on unique 16th- and 17th-century Safavid (Persia, Iran) and Mamluk (Egypt, K...
Tribal carpets and textiles have been enthusiastically collected by connoisseurs and ordinary people...
A historical and scientific analysis was carried out on a historical textile from Sahebgharanieh Ni...
Mughal history is a branch of Indian history which compels the full attention. In consequence of the...
This case study will explore the origins of a Turkish carpet design by discussing a thirteenth centu...
The main objective of this doctoral research is to analyse a group of miniature paintings produced b...
As one of Iranian cultural industries, carpet owns an ancient background and archaism. Primarily, it...
Traditional knowledge is the knowledge base of a particular society or a community which has been ge...
The appraisal of the design and the weaving structure of Islamic knotted-pile carpets can tell plent...
Within the textile design domain, the creative process often remains tacit and solely the knowledge ...
The 1851 Crystal Palace exhibition in London brought together arts and crafts from around the world ...
This paper will discuss a number of the 17th century carpets in the collection of the Maharaja Sawai...
Michael Schuster, PhD will be discussing the exhibition Field of Flowers: Mughal Carpets and Treasur...
In mid-seventeenth century South Asia, the taste for naturalistic floral sprays reached an apogee of...
This paper attempts to relate a small number of Mughal furnishing fabrics to their 17th C prices and...
On account of its focus on unique 16th- and 17th-century Safavid (Persia, Iran) and Mamluk (Egypt, K...
Tribal carpets and textiles have been enthusiastically collected by connoisseurs and ordinary people...
A historical and scientific analysis was carried out on a historical textile from Sahebgharanieh Ni...
Mughal history is a branch of Indian history which compels the full attention. In consequence of the...
This case study will explore the origins of a Turkish carpet design by discussing a thirteenth centu...
The main objective of this doctoral research is to analyse a group of miniature paintings produced b...
As one of Iranian cultural industries, carpet owns an ancient background and archaism. Primarily, it...
Traditional knowledge is the knowledge base of a particular society or a community which has been ge...
The appraisal of the design and the weaving structure of Islamic knotted-pile carpets can tell plent...
Within the textile design domain, the creative process often remains tacit and solely the knowledge ...
The 1851 Crystal Palace exhibition in London brought together arts and crafts from around the world ...