Add to ORKGAs the millennium turned, Texas\u27s Light Crust Doughboys approached seventy years of (almost) continuous existence. A \u2790s rejuvenation that culminated with the first of several Grammy nominations rescued them from museum-piece status, though celebrations were tempered by the death of the band\u27s linchpin, banjo virtuoso Smokey Montgomery, a member from 1935, who lost a long battle with leukemia in 2001
In recent years a number of books have recognized the contributions of African American musicians to...
Book Summary: Folk Music in Overdrive is a reader of music scholar Ivan Tribe’s more significant pub...
When Elvin Eberly sat down to write Hoofbeats in the Bluegrass (that is to say, horse-and-buggy peop...
During the 1930s and 1940s radio played a huge role in the development and dissemination of American...
Excerpt: Bill C. Malone, well-known author of Country Music, USA, recently(1993) wrote another book...
Excerpt: These two recent studies demonstrate the growing academic interest in the history and deve...
In her preface to Jazz of the Southwest, Jean Boyd explains that she was only introduced to western ...
Like the work of art it documents, Terry Allen\u27s book is a multifaceted, multimedia chronicle of ...
Visitors to Fort Rice State Historic Site have little idea of the drama that took place there during...
The Roots of Texas Music is a collection of nine essays focusing on Texan contributions to such Amer...
Throughout much of the twentieth century, Texas literature, like that of other Great Plains states, ...
The patrons of Saturday-night Texas dance halls still two-step to the music of Bob Wills and his Tex...
Western Folklore is abstracted or indexed in Historical Abstracts, Music Index, Prepublication Onlin...
Arlo Guthrie: The Warner/Reprise Years. By Hank Reineke. (Lanham, MD: Scarecrow Press, 2012. Pp. xi...
In the late nineteenth and early twentieth centuries, tent shows traveled throughout much of the Uni...
In recent years a number of books have recognized the contributions of African American musicians to...
Book Summary: Folk Music in Overdrive is a reader of music scholar Ivan Tribe’s more significant pub...
When Elvin Eberly sat down to write Hoofbeats in the Bluegrass (that is to say, horse-and-buggy peop...
During the 1930s and 1940s radio played a huge role in the development and dissemination of American...
Excerpt: Bill C. Malone, well-known author of Country Music, USA, recently(1993) wrote another book...
Excerpt: These two recent studies demonstrate the growing academic interest in the history and deve...
In her preface to Jazz of the Southwest, Jean Boyd explains that she was only introduced to western ...
Like the work of art it documents, Terry Allen\u27s book is a multifaceted, multimedia chronicle of ...
Visitors to Fort Rice State Historic Site have little idea of the drama that took place there during...
The Roots of Texas Music is a collection of nine essays focusing on Texan contributions to such Amer...
Throughout much of the twentieth century, Texas literature, like that of other Great Plains states, ...
The patrons of Saturday-night Texas dance halls still two-step to the music of Bob Wills and his Tex...
Western Folklore is abstracted or indexed in Historical Abstracts, Music Index, Prepublication Onlin...
Arlo Guthrie: The Warner/Reprise Years. By Hank Reineke. (Lanham, MD: Scarecrow Press, 2012. Pp. xi...
In the late nineteenth and early twentieth centuries, tent shows traveled throughout much of the Uni...
In recent years a number of books have recognized the contributions of African American musicians to...
Book Summary: Folk Music in Overdrive is a reader of music scholar Ivan Tribe’s more significant pub...
When Elvin Eberly sat down to write Hoofbeats in the Bluegrass (that is to say, horse-and-buggy peop...