Roland Barthes (1915-80) was one of the leading post-structuralist authors of his day as well as making many important contributions to semiotics. These three volumes provide a complete overview of his achievement. They provide an unparalleled critical assessment of his work in semiotics, structuralism and post-structuralism. The development and contradictions in Barthes' thought are addressed and elucidated. His role in 'the cultural turn' is pinpointed. What emerges most powerfully, is a picture of a culturally engaged critic of contemporary life, who was prepared to make radical innovations in theory and method in order to illuminate his quest for truth. These volumes provide a high water mark in Barthes' studies and are indispensable fo...
Roland Barthes is one of the most well-known semioticians outside academic circles. That knowledge i...
O presente trabalho propõe uma retomada do pensamento de Roland Barthes sobre o signo, com o objetiv...
In my article I propose to go back to Barthes and in particular to Le Plaisir du Texte (1973), which...
Roland Barthes (1915-80) was one of the leading post-structuralist authors of his day as well as mak...
The production of Roland Barthes (1915-1980) is abundant and varied to the point where critical stud...
One hundred years after his birth, the work of Roland Barthes (1915–1980) remains compelling in a wi...
This thesis situates the writings of Roland Barthes in the immediate postwar period. Whilst Barthes...
Dans cet article inachevé, publié à titre posthume, Roland Le Huenen examine le parcours sémiologiqu...
Roland Barthes – the author of such enduringly influential works as Mythologies and Camera Lucida - ...
International audienceLotman and Barthes created two different, critically oriented semiotic traditi...
This thesis contributes to a discussion of the specificity of Roland Barthes' post-structural theori...
Roland Barthes at the Collège de France studies the four lecture courses given by Barthes in Paris b...
Tentative de réponse à Antoine Compagnon qui considère dans Les Antimodernes de Joseph de Maistre à ...
Roland Barthes in his famous essay “The Death of the Author” from a post-structuralist position took...
One characteristic of the work of Roland Barthes - and of that of other structuralist theorists - is...
Roland Barthes is one of the most well-known semioticians outside academic circles. That knowledge i...
O presente trabalho propõe uma retomada do pensamento de Roland Barthes sobre o signo, com o objetiv...
In my article I propose to go back to Barthes and in particular to Le Plaisir du Texte (1973), which...
Roland Barthes (1915-80) was one of the leading post-structuralist authors of his day as well as mak...
The production of Roland Barthes (1915-1980) is abundant and varied to the point where critical stud...
One hundred years after his birth, the work of Roland Barthes (1915–1980) remains compelling in a wi...
This thesis situates the writings of Roland Barthes in the immediate postwar period. Whilst Barthes...
Dans cet article inachevé, publié à titre posthume, Roland Le Huenen examine le parcours sémiologiqu...
Roland Barthes – the author of such enduringly influential works as Mythologies and Camera Lucida - ...
International audienceLotman and Barthes created two different, critically oriented semiotic traditi...
This thesis contributes to a discussion of the specificity of Roland Barthes' post-structural theori...
Roland Barthes at the Collège de France studies the four lecture courses given by Barthes in Paris b...
Tentative de réponse à Antoine Compagnon qui considère dans Les Antimodernes de Joseph de Maistre à ...
Roland Barthes in his famous essay “The Death of the Author” from a post-structuralist position took...
One characteristic of the work of Roland Barthes - and of that of other structuralist theorists - is...
Roland Barthes is one of the most well-known semioticians outside academic circles. That knowledge i...
O presente trabalho propõe uma retomada do pensamento de Roland Barthes sobre o signo, com o objetiv...
In my article I propose to go back to Barthes and in particular to Le Plaisir du Texte (1973), which...