This study explored whether visual (body movements) or auditory (musical material) information dominates perceived and felt emotions when observing a music performance. In a musical analogue of the McGurk effect and extending work juxtaposing facial expressions and auditory information for sung intervals to an actual musical performance, participants either watched video clips in which musical material and performer’s body movements were congruent or they saw incongruent clips that combined musical material with body movements from another piece that differed in emotional valence. Subsequent ratings of perceived and felt emotions showed a significant interaction between music and body movements, indicating that both auditory and visual chan...
Individuals with more musical training repeatedly demonstrate enhanced auditory perception abilities...
Recently, Vuoskoski, Thompson, Clarke, and Spence (2014) demonstrated that visual kinematic performa...
It is now widely accepted that the perception of emotional expression in music can be vastly differe...
This study explored whether visual (body movements) or auditory (musical material) information domin...
A core aspect of musical performance is communicating emotional and expressive intentions to the aud...
Cross-modal interactions in the perception of emotion in musical performance were investigated in th...
This thesis investigates cross-modal interactions in auditory and visual perception, focusing on th...
Music performances often consist of both auditory and visual information, yet the role of the visual...
In everyday life, emotional events are perceived by multiple sensory systems. Research has shown tha...
This experiment was conducted to investigate cross-modal interactions in the emotional experience of...
The conventional view that perceived emotion in music is derived mainly from auditory signals has le...
Previous research has shown that—compared with audio-only presentations—the audiovisual presentation...
Research showing that emotions can be recognized in point-light displays of human dyadic interaction...
In humans, emotions from music serve important communicative roles. Despite a growing interest in th...
In the present study we applied a paradigm often used in face–voice affect perception to solo music ...
Individuals with more musical training repeatedly demonstrate enhanced auditory perception abilities...
Recently, Vuoskoski, Thompson, Clarke, and Spence (2014) demonstrated that visual kinematic performa...
It is now widely accepted that the perception of emotional expression in music can be vastly differe...
This study explored whether visual (body movements) or auditory (musical material) information domin...
A core aspect of musical performance is communicating emotional and expressive intentions to the aud...
Cross-modal interactions in the perception of emotion in musical performance were investigated in th...
This thesis investigates cross-modal interactions in auditory and visual perception, focusing on th...
Music performances often consist of both auditory and visual information, yet the role of the visual...
In everyday life, emotional events are perceived by multiple sensory systems. Research has shown tha...
This experiment was conducted to investigate cross-modal interactions in the emotional experience of...
The conventional view that perceived emotion in music is derived mainly from auditory signals has le...
Previous research has shown that—compared with audio-only presentations—the audiovisual presentation...
Research showing that emotions can be recognized in point-light displays of human dyadic interaction...
In humans, emotions from music serve important communicative roles. Despite a growing interest in th...
In the present study we applied a paradigm often used in face–voice affect perception to solo music ...
Individuals with more musical training repeatedly demonstrate enhanced auditory perception abilities...
Recently, Vuoskoski, Thompson, Clarke, and Spence (2014) demonstrated that visual kinematic performa...
It is now widely accepted that the perception of emotional expression in music can be vastly differe...