Add to ORKGThis chapter examines how the Qipao was employed in order to resist and negotiate with institutional repression in the Republican era through the study of Linglong, a popular women's magazine in 1930s China. Chinese women's attitudes towards Western-style fashion and aesthetic judgment, mediated through resistance and negotiation, is unveiled and analysed whereby the conceptual ideas of harmony and concealment in Chinese clothes had become apparent
Abstract: Fashion Revolution China: Embedded Narratives and Social Identities in Clothing. It would ...
This article examines the creation and use of gendered archetypes by the Provisional Government of t...
This research investigates why hanfu and qipao represent the nation of China. Previous sources have ...
This chapter examines how the Qipao was employed in order to resist and negotiate with institutional...
From a background of political chaos, the qipao, a sleek sheath with a stand-up collar, rose in an e...
This thesis was submitted to the Department of History of the University of Kansas in partial fulfil...
The subject of this bachelor's thesis is the qipao 旗袍 - the female "national apparel" that has sprea...
The Qipao (旗袍or ‘long dress’ in Cantonese) is a marker of the Oriental identity in which the allurin...
The qipao has become the symbol of identity for Chinese women. It is a tight-fitting dress with a st...
This thesis is a study of civilian women mobilised by the Chinese Communist Party (CCP) and their wa...
This study investigates the potential for integrating Chinese historical costumes with modern fashio...
Beginning in 1978, the People's Republic of China embarked on new economic reforms that aimed to mo...
This article explores the cultural imaginary of the “modern woman” in Shanghai, China through popula...
The intention of this study is to develop a collection of garments encompassing aesthetic aspects bo...
In the Republican era (1911-1937), it was a period of time where rapid changes swept across China. C...
Abstract: Fashion Revolution China: Embedded Narratives and Social Identities in Clothing. It would ...
This article examines the creation and use of gendered archetypes by the Provisional Government of t...
This research investigates why hanfu and qipao represent the nation of China. Previous sources have ...
This chapter examines how the Qipao was employed in order to resist and negotiate with institutional...
From a background of political chaos, the qipao, a sleek sheath with a stand-up collar, rose in an e...
This thesis was submitted to the Department of History of the University of Kansas in partial fulfil...
The subject of this bachelor's thesis is the qipao 旗袍 - the female "national apparel" that has sprea...
The Qipao (旗袍or ‘long dress’ in Cantonese) is a marker of the Oriental identity in which the allurin...
The qipao has become the symbol of identity for Chinese women. It is a tight-fitting dress with a st...
This thesis is a study of civilian women mobilised by the Chinese Communist Party (CCP) and their wa...
This study investigates the potential for integrating Chinese historical costumes with modern fashio...
Beginning in 1978, the People's Republic of China embarked on new economic reforms that aimed to mo...
This article explores the cultural imaginary of the “modern woman” in Shanghai, China through popula...
The intention of this study is to develop a collection of garments encompassing aesthetic aspects bo...
In the Republican era (1911-1937), it was a period of time where rapid changes swept across China. C...
Abstract: Fashion Revolution China: Embedded Narratives and Social Identities in Clothing. It would ...
This article examines the creation and use of gendered archetypes by the Provisional Government of t...
This research investigates why hanfu and qipao represent the nation of China. Previous sources have ...