Add to ORKGFor more about the East-West Center, see http://www.eastwestcenter.org/Tokyo on Film Tadao Sato Something Like Yoshiwara: The Cultural Perspective Keiko McDonald Four Hundred Years in a Convent; Fifty in Hollywood: Sexual Identity and Dissent in Contemporary Philippine Cinema Gina Marchetti The Hindi Film Song and Guru Dutt Darius Cooper The Sublimative Text: Sex and Revolution in Big Road Chris Berry Film as Language; Film as Power Dana Polan The Portrayal of the Canadian Native in the American Cinema: Selected Cases James M. Skinner The Debut of a Film Director: Nakajima Takehiro Linda C. Ehrlic
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the Family a...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the Family a...
For more about the East-West Center, see http://www.eastwestcenter.org/Phobic Spaces and Liminal Pan...
For more about the East-West Center, see http://www.eastwestcenter.org/Foreword Editor's Note Film a...
For more about the East-West Center, see http://www.eastwestcenter.org/Notes on the Filipino Action ...
For more about the East-West Center, see http://www.eastwestcenter.org/Kurosawa's Ran: Reception and...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Cinema and N...
For more about the East-West Center, see http://www.eastwestcenter.org/Editor's Note L'assimilation ...
For more about the East-West Center, see http://www.eastwestcenter.org/Approaching Japanese Melodram...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the City and...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Southeast As...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Cinema and H...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Humor in Cin...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Melodrama an...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Melodrama an...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the Family a...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the Family a...
For more about the East-West Center, see http://www.eastwestcenter.org/Phobic Spaces and Liminal Pan...
For more about the East-West Center, see http://www.eastwestcenter.org/Foreword Editor's Note Film a...
For more about the East-West Center, see http://www.eastwestcenter.org/Notes on the Filipino Action ...
For more about the East-West Center, see http://www.eastwestcenter.org/Kurosawa's Ran: Reception and...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Cinema and N...
For more about the East-West Center, see http://www.eastwestcenter.org/Editor's Note L'assimilation ...
For more about the East-West Center, see http://www.eastwestcenter.org/Approaching Japanese Melodram...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the City and...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Southeast As...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Cinema and H...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Humor in Cin...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Melodrama an...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on Melodrama an...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the Family a...
For more about the East-West Center, see http://www.eastwestcenter.org/Special Issue on the Family a...
For more about the East-West Center, see http://www.eastwestcenter.org/Phobic Spaces and Liminal Pan...