This exhibition, co-curated by Newth with Fergus Heron, is an exploration into how photography records and reveals the impact of economic conditions on urban experience. The exhibition, ‘CAPITAL’ was at George and Jorgen Gallery in July and August 2012. It brought together new and existing work by seven contemporary artists with work in photography and moving image, including Emma Charles, Fergus Heron, Thorsten Knaub, Karen Knorr, Martin Newth, Eva Stenram and Danny Treacy. The curatorial strategy was to bring together a range of photographic and moving image work, the exhibition forming a set of immersive, embodied encounters that reflected upon London at a time of deep economic recession and international attention before the 2012 ...
The exhibition coincides with the anniversary of the first London Group exhibition, held on 5 March ...
Commissioned by Bryan Biggs for Liverpool Bluecoat’s European Capital of Culture exhibition programm...
The exhibition ÉVASION deconstructed, rationalised and reinterpreted artistic and curatorial strateg...
This exhibition, co-curated by Newth with Fergus Heron, is an exploration into how photography recor...
This exhibition showcases the most dynamic work being made in London in 2012. Take a journey through...
The travelling exhibition Metropolis Rise: New Art from London was curated by Anthony Gross and Jen ...
Work was exhibited in 'Location: UK', Gimpel Fils Gallery, London, (24 July - 7 September 2002). Thi...
In conjunction with the exhibition Adjacent Realities, London based artist and Reader in Fine Art at...
This series of pictures of empty shopping centre interiors throughout England aims to restate displa...
London Dust is a series of photographs that trace the rapid architectural transformation of the City...
Aberdeen Open City is an exhibition which aims to showcase the range of contemporary art practices s...
'Consumer' examines the influence of capitalism on the visual landscape. During March – May 2015 Woo...
The rationale of ‘Metropolis Rise’ was located in the context created in bringing work emerging from...
My thesis is an interpretive case study of the exhibition Century City: Art and Culture in the Moder...
The output, Veins, is an exhibition comprising a series of photographs. Research process: The photog...
The exhibition coincides with the anniversary of the first London Group exhibition, held on 5 March ...
Commissioned by Bryan Biggs for Liverpool Bluecoat’s European Capital of Culture exhibition programm...
The exhibition ÉVASION deconstructed, rationalised and reinterpreted artistic and curatorial strateg...
This exhibition, co-curated by Newth with Fergus Heron, is an exploration into how photography recor...
This exhibition showcases the most dynamic work being made in London in 2012. Take a journey through...
The travelling exhibition Metropolis Rise: New Art from London was curated by Anthony Gross and Jen ...
Work was exhibited in 'Location: UK', Gimpel Fils Gallery, London, (24 July - 7 September 2002). Thi...
In conjunction with the exhibition Adjacent Realities, London based artist and Reader in Fine Art at...
This series of pictures of empty shopping centre interiors throughout England aims to restate displa...
London Dust is a series of photographs that trace the rapid architectural transformation of the City...
Aberdeen Open City is an exhibition which aims to showcase the range of contemporary art practices s...
'Consumer' examines the influence of capitalism on the visual landscape. During March – May 2015 Woo...
The rationale of ‘Metropolis Rise’ was located in the context created in bringing work emerging from...
My thesis is an interpretive case study of the exhibition Century City: Art and Culture in the Moder...
The output, Veins, is an exhibition comprising a series of photographs. Research process: The photog...
The exhibition coincides with the anniversary of the first London Group exhibition, held on 5 March ...
Commissioned by Bryan Biggs for Liverpool Bluecoat’s European Capital of Culture exhibition programm...
The exhibition ÉVASION deconstructed, rationalised and reinterpreted artistic and curatorial strateg...