Salomé Voegelin produces a multimedia re-sonification of the keynote she gave at 2014’s Invisible Places, Sounding Cities conference in Viseu, Portugal, “Sound Art as Public Art,” which revivified the idea of the “civic” as a social responsibility enacted through sound and listening. Available for download here as a podcast is an audio recording of the keynote as well as a transcription of its accompanying score. In this final entry of the series, Vogelin shares her insight about how sound can act as intervention, disruption, and resistance. Contribution to Acts of Intervention, on Sounding Out! Sound studies 2.0
The origins of sound art are usually traced to previous sonorous artistic manifestations such as fut...
"A brief history of sound art is, in a nutshell, a history of sonic forms of expression that through...
In October 2012, Thomas Gardner and Salomé Voegelin hosted a colloquium, entitled Sound Art and Musi...
Salomé Voegelin produces a multimedia re-sonification of the keynote she gave at 2014’s Invisible Pl...
Salomé Voegelin produces a multimedia re-sonification of the keynote she gave at 2014’s Invisible Pl...
This keynote presentation explores ideas of a Sonic Public, proposing that sounds invisible mobility...
This keynote presentation explores ideas of a Sonic Public, proposing that sounds invisible mobility...
This keynote presentation explores ideas of a Sonic Public, proposing that sounds invisible mobility...
In this presentation I will propose that Sound Art, whether gallery based, or site specific, in natu...
Lecture as part of Performance Research Seminars of the AHRC Research Centre for Musical Performance...
We live in sound, it is all around us. We are implicated in the social relationships and ideologies ...
Visiting IAS Sound Fellows Professor Salomé Voegelin (University of the Arts London), Professor John...
"In a world dominated by the visual, could contemporary resistance be auditory? Sonic Agency highlig...
In a world dominated by the visual, could contemporary resistance be auditory? Sonic Agency highligh...
The origins of sound art are usually traced to previous sonorous artistic manifestations such as fut...
The origins of sound art are usually traced to previous sonorous artistic manifestations such as fut...
"A brief history of sound art is, in a nutshell, a history of sonic forms of expression that through...
In October 2012, Thomas Gardner and Salomé Voegelin hosted a colloquium, entitled Sound Art and Musi...
Salomé Voegelin produces a multimedia re-sonification of the keynote she gave at 2014’s Invisible Pl...
Salomé Voegelin produces a multimedia re-sonification of the keynote she gave at 2014’s Invisible Pl...
This keynote presentation explores ideas of a Sonic Public, proposing that sounds invisible mobility...
This keynote presentation explores ideas of a Sonic Public, proposing that sounds invisible mobility...
This keynote presentation explores ideas of a Sonic Public, proposing that sounds invisible mobility...
In this presentation I will propose that Sound Art, whether gallery based, or site specific, in natu...
Lecture as part of Performance Research Seminars of the AHRC Research Centre for Musical Performance...
We live in sound, it is all around us. We are implicated in the social relationships and ideologies ...
Visiting IAS Sound Fellows Professor Salomé Voegelin (University of the Arts London), Professor John...
"In a world dominated by the visual, could contemporary resistance be auditory? Sonic Agency highlig...
In a world dominated by the visual, could contemporary resistance be auditory? Sonic Agency highligh...
The origins of sound art are usually traced to previous sonorous artistic manifestations such as fut...
The origins of sound art are usually traced to previous sonorous artistic manifestations such as fut...
"A brief history of sound art is, in a nutshell, a history of sonic forms of expression that through...
In October 2012, Thomas Gardner and Salomé Voegelin hosted a colloquium, entitled Sound Art and Musi...