Experiencing music schools pupils\u27 performance in front of an audience

Magistrsko delo je zasnovano kot empirično delo. V prvem delu je predstavljen teoretični del, ki obravnava načela javnega nastopanja. Proučuje pa tudi postopek priprave na javni nastop, doživljanje nastopa, izkušnje izvajalca glasbenika in pridobitve z nastopanjem. Psihologija glasbe in sproščanje v glasbi sta pomembna dejavnika pri ocenjevanju uspešnosti nastopanja, ki podpreta teoretični del v celoti. V drugem, empiričnem delu so predstavljeni rezultati anketnega vprašalnika, ki so ga učenci izbranih glasbenih šol reševali. Na podlagi le-teh smo izvedeli, koliko izkušenj imajo učenci glede na razred, v katerega hodijo, ali je prisoten strah, ko so izpostavljeni pred občinstvom, in kakšno je njihovo doživljanje glasbe med nastopanjem.The master\u27s thesis is designed as empirical work. The first part of the thesis consists of theory dealing with principles of public appearance. Furthermore, it examines the process of preparing for a public appearance, one\u27s experiencing of such appearance, and a musician\u27s experiences, and what one gains by performing in front of the public. Psychology of music and relaxation in music are important factors which fully support the theoretical part. The second, empirical part of the master\u27s thesis consists of the results of a questionnaire, filled out by pupils of certain music schools. Based on the results we learnt how much experience the pupils have depending on the grade they attend, whether they experience performance anxiety and what is their perception of music during their performance