Add to ORKGThis series addresses the revisitation of my childhood home on Daisy Hill Road. I photographed using medium format film in both color and black-and-white, which I scanned and printed on transparencies. The photos mostly feature forests and bodies of water with which I am familiar; when I had the opportunity to develop the film myself, I used water from the site as rinses in the development process. The prints are displayed on a large lightbox, signifying both innocence of childhood and hope that I may eventually shed the weight of depression I have dealt with in the past ten years.Honors CollegeThesis (B.?.
Two children (ages 6 and 9) represent an afternoon spent in their urban, wintery treescape through v...
The purpose of this interdisciplinary directed studies was to examine how our familiarity with the p...
While studying environmental art, I reflected upon my own experiences related to the environment and...
My father had a career in filmography. This meant I was always in front of or around a camera. From ...
In this work, I am expressing a deep compulsion to return home. It elicits a sense of nostalgia to r...
In my work I explore a dimension of my childhood that is usually not spoken of. I photograph sites t...
Ever since my family moved on from the house I first called Home, I have since looked back on it as ...
This photo series documents a year spent working for Bethany College in Bethany, West Virginia, afte...
The photographs of On Nine Mile were made to explore my developing relationship with the place I now...
In the spring of 1975, six schools from five sites in South Carolina participated in a Special Bi-Ce...
Memory Lane is a manifestation of these nostalgic memories through self-reflection and collaboration...
I was raised in the North Carolina 31ue Ridge on the border of Tennessee and Virginia. There, I grew...
Ever since my family moved on from the house I first called Home, I have since looked back on it as ...
Through painting, I investigate the experience of place in the landscape. I define place as a locati...
I have always preferred the journey to the destination. When I was growing up, my family drove back ...
Two children (ages 6 and 9) represent an afternoon spent in their urban, wintery treescape through v...
The purpose of this interdisciplinary directed studies was to examine how our familiarity with the p...
While studying environmental art, I reflected upon my own experiences related to the environment and...
My father had a career in filmography. This meant I was always in front of or around a camera. From ...
In this work, I am expressing a deep compulsion to return home. It elicits a sense of nostalgia to r...
In my work I explore a dimension of my childhood that is usually not spoken of. I photograph sites t...
Ever since my family moved on from the house I first called Home, I have since looked back on it as ...
This photo series documents a year spent working for Bethany College in Bethany, West Virginia, afte...
The photographs of On Nine Mile were made to explore my developing relationship with the place I now...
In the spring of 1975, six schools from five sites in South Carolina participated in a Special Bi-Ce...
Memory Lane is a manifestation of these nostalgic memories through self-reflection and collaboration...
I was raised in the North Carolina 31ue Ridge on the border of Tennessee and Virginia. There, I grew...
Ever since my family moved on from the house I first called Home, I have since looked back on it as ...
Through painting, I investigate the experience of place in the landscape. I define place as a locati...
I have always preferred the journey to the destination. When I was growing up, my family drove back ...
Two children (ages 6 and 9) represent an afternoon spent in their urban, wintery treescape through v...
The purpose of this interdisciplinary directed studies was to examine how our familiarity with the p...
While studying environmental art, I reflected upon my own experiences related to the environment and...